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Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century.
This book presents essays by eminent scholars from across the history of medicine, early science and European history, including those expert on the history of the book. The volume honors Professor Nancy Siraisi and reflects the impact that Siraisi's scholarship has had on a range of fields. Contributions address several topics ranging from the medical provenance of biblical commentary to the early modern emergence of pathological medicine. Along the way, readers may learn of the purchasing habits of physician-book collectors, the writing of history and the development of natural history. Modeling the interdisciplinary approaches championed by Siraisi, this volume attests to the enduring value of her scholarship while also highlighting critical areas of future research. Those with an interest in the history of science, the history of medicine and all related fields will find this work a stimulating and rewarding read.
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
This work is the critical edition of the catalog of Holy Roman Emperor Leopold’s II mineralogical collection. The volume, unpublished and preserved at the Historical Archives of the University of Firenze Museum System, dates to 1765 and describes 242 mineralogical specimens coming primarily from the current Slovak-Hungarian mining district. This edition gives the transcription of the German manuscript and its translation into English together with an organized system of notation to illustrate the complex history of the text, the characterization of the mineralogical species, and the geographical location of the mineral extraction sites. This work represents to date the only published catalog of a mineralogical collection belonging to a member of the Habsburg-Lorraine family.
The essays and original visualizations collected in Natural Things in Early Modern Worlds explore the relationships among natural things - ranging from pollen in a gust of wind to a carnivorous pitcher plant to a shell-like skinned armadillo - and the humans enthralled with them. Episodes from 1500 to the early 1900s reveal connected histories across early modern worlds as natural things traveled across the Indian Ocean, the Ottoman Empire, Pacific islands, Southeast Asia, the Spanish Empire, and Western Europe. In distant worlds that were constantly changing with expanding networks of trade, colonial aspirations, and the rise of empiricism, natural things obtained new meanings and became al...
In 1583 the Italian botanist and physician Andrea Cesalpino (1524–1603) published De Plantis Libri XVI, made of 16 books (libri), considered to be the first treatise where botany is treated independently from medicine. In so doing, he broke with a long tradition inherited in Western science from Antiquity and perpetuated during the Middle Age through the early Renaissance. De Plantis lays the foundations of scientific systematics through a new focus on plant morphology and natural similarities and became a milestone in the history of Western botany. It is a precious testimony to the evolution of botanical and physiological knowledge in the Middle Ages and the Renaissance and illustrates the role of Aristotelian philosophy in 16th-century knowledge. The volume includes an introductory essay about Cesalpino's philosophy and botany, a critical edition of the Latin text, a translation, a commentary, and indexes. It should interest scholars in Renaissance studies, historians, and philosophers of science and medicine, as well as botanists and plant scientists curious about the history of plant sciences.
Shedding new light on the understudied Italian Renaissance scholar, Andrea Cesalpino, and the diverse fields he wrote on, this volume covers the multiple traditions that characterize his complex natural philosophy and medical theories, taking in epistemology, demonology, mineralogy, and botany. By moving beyond the established influence of Aristotle's texts on his work, Andrea Cesalpino and Renaissance Aristotelianism reflects the rich influences of Platonism, alchemy, Galenism, and Hippocratic ideas. Cesalpino's relation to the new sciences of the 16th century are traced through his direct influences, on cosmology, botany, and medicine. In combining Cesalpino's reception of these traditions alongside his connections to early modern science, this book provides a vital case study of Renaissance Aristotelianism.
In the sixteenth century medicinal plants, which until then had been the monopoly of apothecaries, became a major topic of investigation in the medical faculties of Italian universities, where they were observed, transplanted, and grown by learned physicians both in the wild and in the newly founded botanical gardens. Tuscany was one of the main European centres in this new field of inquiry, thanks largely to the Medici Grand Dukes, who patronised and sustained research and teaching, whilst also taking a significant personal interest in plants and medicine. This is the first major reconstruction of this new world of plants in sixteenth-century Tuscany. Focusing primarily on the medical use of plants, this book also shows how plants, while maintaining their importance in therapy, began to be considered and studied for themselves, and how this new understanding prepared the groundwork for the science of botany. More broadly this study explores how the New World's flora impacted on existing botanical knowledge and how this led to the first attempts at taxonomy.
Il volume presenta il progetto di recupero, catalogazione e valorizzazione della collezione donata dall’Imperatore del Sacro Romano Impero Giuseppe II (1741-1790) al Gabinetto Mineralogico del Collegio Nazareno di Roma nel 1785. Quest’ultima rappresenta, ad oggi, l’unica collezione di ambito geo-mineralogico ascrivibile con certezza a Giuseppe II. Le schede dei campioni, redatte in base alle normative nazionali ICCD per la catalogazione dei beni mineralogici (BNM) e petrologici (BNPE), sono liberamente accessibili sul Catalogo Generale dei Beni Culturali. La collezione è visitabile, nel suo nuovo allestimento permanente, presso l’Istituto San Giuseppe Calasanzio di Roma. Questa pubblicazione è stata realizzata nell’ambito del progetto PANN20_00605 “Dono imperiale. La Collezione mineralogica dell’Imperatore Giuseppe II al Collegio Nazareno di Roma” finanziato dal Ministero dell’Università e della Ricerca, Contributi annuali - Legge 6/2000 – D.D. 1524 del 21/01/2019.
Nel 1910 le scuole rurali private della Montesca e di Rovigliano, fondate nelle tenute umbre dei Baroni Franchetti, partecipano all’Esposizione Universale e Internazionale di Bruxelles dove si raccontano per la prima volta. L’iniziativa è frutto della lungimiranza di Alice Hallgarten che, filantropa e visionaria, mira a suscitare interesse internazionale verso un innovativo progetto pedagogico volto a contrastare l’analfabetismo e la miseria che segna la vita delle famiglie dei mezzadri locali. Nella capitale belga, i quaderni e i disegni di questi ‘figli delle campagne’, che il primo giorno di lezione fanno fatica persino a «dire il loro nome», meriteranno una medaglia d’oro ...