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Enzo Cucchi
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Enzo Cucchi
Born in 1949, Cucchi first achieved prominence, together with Clemente and Chia, as a member of the Transavntgardia art movement in the 1970s. His work has since been exhibited at major international museums like the Guggenheim and The Centre Pompidou. This book, published as the catalog to his show at the Tony Shafrazi Gallery in New York, presents his recent fresco paintings. The landscape of Cucchi's native Naples is made evident in these striking pictures. Throughout these deceptively simple works are motifs of skulls and disembodied, almost heavenly eyes.
Enzo Cucchi
Essays by Ludovico Pratesi, Emanuela Nobile Mino.
Enzo Cucchi
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Enzo Cucchi
Enzo Cucchi was a key member of the Italian transavanguardia movement in the eighties which was part of a larger neo-expressionist trend. This catalogue celebrates his work. It offers a detailed overview of Cucci from his official debut on the international artistic scene onwards.
Day of the Artist
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Art of the 20th Century
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
