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Two-way Mirror Power
Essays charting the diverse works of renowned conceptual artist Dan Graham.
Slideshow
Since the 1960s, an international group of artists has embraced slide projection as a dynamic alternative to the tradition of painting, blending aspects of photography, film, and installation art. Slide Show is the first in-depth examination of how slides evolved into one of the most exciting art forms of our time. Essays by leading scholars and 200 color illustrations provide visual, historical, and critical insight into this unique medium.
Bosch
A comprehensive look at the work of Jheronimus Bosch, published to coincide with the 5th centenary of the artist's death and in conjunction with an exhibition at the Museo del Prado
Minor Aesthetics
New perspectives on Belgian Surrealism and the photographic practices of Marcel Mariën Marcel Mariën (1920–1993) was a key figure of Belgian post-war Surrealism. He is widely acknowledged for his landmark work on Belgian Surrealism and his collaboration with future Situationists like Guy-Ernest Debord in his journalLes Lèvres nues. Nevertheless, Mariën’s texts, collages, photographs, film, and objects have to date remained understudied. This is the first volume devoted to Mariën's photographic work. Through a series of close readings, Mieke Bleyen connects the collage and photographic practices of Mariën with his wider oeuvre, particularly with his archival and editorial activities...
Abstraction & Economy
Wider das Regime der Akkumulation und Abstraktion Die Anthologie untersucht das Spannungsverhältnis zwischen Abstraktion und Ökonomie aus Perspektiven der Kunst, Kunsttheorie, Kunstgeschichte sowie Recht, Soziologie, Philosophie und Ökonomie. Sie stellt Fragen zu aktuellen Herausforderungen einer globalen kapitalistischen Wirtschaft mit Anspruch auf expansives Wachstum im Verhältnis zu Ästhetik, Technologie und Demokratie. In theoretischen und künstlerischen Beiträgen wird das Verhältnis von Abstraktion und Ökonomie diskutiert. Im Fokus stehen die Frage nach der Rolle der Kunst zwischen Konkretion und Abstraktion, formalistische Ansätze der Kunsttheorie sowie soziale und ökonomisc...
Tot de puzzel past
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Pedlars and the Popular Press
Itinerant salesmen, also called pedlars, street hawkers, hucksters and ballad singers are considered to be the most important distributors of popular printed matter in Europe between 1600 and 1850. A general assumption is that the pedlar travelling from town to countryside was strongly distinct from the role of the established booksellers in the towns, selling books to the educated and affluent buyer. The commercial position of the urban pedlars, however, is very often underestimated. In this book, therefore, the itinerant book trade is studied in an English and Dutch, urban context, leading to a new perspective on the role of the pedlars as an intermediary between the established booksellers and an extensive, socially diverse reading public.
Off-Screen Cinema
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Disability, Space, Architecture: A Reader
Disability, Space, Architecture: A Reader takes a groundbreaking approach to exploring the interconnections between disability, architecture and cities. The contributions come from architecture, geography, anthropology, health studies, English language and literature, rhetoric and composition, art history, disability studies and disability arts and cover personal, theoretical and innovative ideas and work. Richer approaches to disability – beyond regulation and design guidance – remain fragmented and difficult to find for architectural and built environment students, educators and professionals. By bringing together in one place some seminal texts and projects, as well as newly commissio...
Bruce Nauman
To date, scholars explored Bruce Nauman’s oeuvre through various perspectives, concepts and premises, including linguistics, performance, power and knowledge, sound, the political and more. Amidst this vast and rich field, Nauman’s pieces have been regarded by critics in terms of systematic skepticism, tragic skepticism, skepticism of the medium, and linguistic doubt. This book methodically analyzes the notion of performative skepticism and its relevance to various dimensions of Bruce Nauman’s post-minimalist artistic practice. It is argued that Nauman performs the perpetual failure of perception, hence, demonstrating its doubtful validity to produce certain knowledge without allowing a resolution. This kind of skepticism, here called performative skepticism, exposes the impossibility of epistemological equipment to produce knowledge, and the impossibility of attaining certainty in bridging the gap between knowledge and the real.
