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Bodies Politic
Finalist for the 2004 Frederick Douglass Prize A century after the Pilgrims' landing, the ongoing interactions of conquered Indians, English settlers, and enslaved Africans in southern New England had produced a closely interwoven, though radically divided, colonial society. In Bodies Politic, John Wood Sweet argues that the coming together of these diverse peoples profoundly shaped the character of colonial New England, the meanings of the Revolution in the North and the making of American democracy. Grounded in a remarkable array of original sources—from censuses and newspapers todiaries, archival images, correspondence, and court records—this innovative and intellectually sweeping wor...
The State as a Work of Art
The founding of the United States after the American Revolution was so deliberate and monumental in scope that the key actors considered this new government to be a work of art framed from natural rights. Recognizing the artificial nature of the state, these early politicians believed the culture of a people should inform the development of their governing rules and bodies. The author explores these central ideas in this account of the origins and meanings of the U.S. Constitution. He reveals the cultural histories upon which the document rests, highlights the voices of ordinary people, and considers how the artifice of the state was challenged in its effort to sustain inalienable natural rights alongside slavery and to achieve political secularization at a moment of growing religious expression.
Visualizing Blackness and the Creation of the African American Literary Tradition
This study examines how black writers use visual tropes as literary devices to challenge readers' conceptions of black identity. Lena Hill charts two hundred years of African American literary history, from Phillis Wheatley to Ralph Ellison, and engages with a variety of canonical and lesser-known writers.
Portraits of Resistance
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
The Contagious City
By the time William Penn was planning the colony that would come to be called Pennsylvania, with Philadelphia at its heart, Europeans on both sides of the ocean had long experience with the hazards of city life, disease the most terrifying among them. Drawing from those experiences, colonists hoped to create new urban forms that combined the commercial advantages of a seaport with the health benefits of the country. The Contagious City details how early Americans struggled to preserve their collective health against both the strange new perils of the colonial environment and the familiar dangers of the traditional city, through a period of profound transformation in both politics and medicin...
The Marketplace of Revolution
The Marketplace of Revolution offers a boldly innovative interpretation of the mobilization of ordinary Americans on the eve of independence. Breen explores how colonists who came from very different ethnic and religious backgrounds managed to overcome difference and create a common cause capable of galvanizing resistance. In a richly interdisciplinary narrative that weaves insights into a changing material culture with analysis of popular political protests, Breen shows how virtual strangers managed to communicate a sense of trust that effectively united men and women long before they had established a nation of their own. The Marketplace of Revolution argues that the colonists' shared expe...
The Science of the Soul in Colonial New England
Science of the Soul in Colonial New England
Nature and Culture in the Early Modern Atlantic
Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Chapter One The Boundaries of Nature -- Chapter Two A New Ecology -- Chapter Three The Landscape of History -- Postscript The Theater of Insects -- Note on Sources -- Notes -- Index -- Acknowledgments
The Worlds of American Intellectual History
The Worlds of American Intellectual History follows American thinkers and their ideas as they have crossed national, institutional, and intellectual boundaries. The volume explores ways in which American ideas have circulated in different cultures. It also examines the multiple sites--from social movements, museums, and courtrooms to popular and scholarly books and periodicals--in which people have articulated and deployed ideas within and beyond the borders of the United States.
Harm's Way
Conventional studies of the 18th-century novel link the form's evolution to the emergence of a modern liberal subject whose actions and attachments are imagined to be voluntary and intentional. Sandra Macpherson challenges this account of modernity, arguing that accident and injury are central to the way the early realist novel conceives of personhood and belonging. Macpherson's unique approach connects the rise of the novel to contemporary developments in liability law -- in particular, to legal principles of strict liability that hold persons accountable for harms inflicted upon others in the absence of intention, consent, direct action, or foreknowledge. In fresh readings of Defoe, Richar...
