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Her Amish Man
FAITH, HOPE, AND LOVE A touching novel set in the heart of the beautiful Amish country. . . . HER AMISH MAN Because Leah McKenzie’s mother was “shunned” for marrying an outsider, Leah has never known her Amish relatives. Then she is framed for a murder she didn’t commit, and she needs somewhere to hide until she can clear her name. Confident no one would think to search for her in an Amish community, she heads for her grandmother’s home in Illinois. A safe haven is all Leah is looking for, but she soon finds herself entranced by the simplicity of the old-fashioned lifestyle. What she doesn’t expect is to find a man there who stirs her heart. When John Miller left his Amish villag...
Her Amish Man
"Because Leah McKenzie's mother was "shunned" for marrying an outsider, Leah has never known her Amish relatives. Then she is framed for a murder she didn't commit, and she needs somewhere to hide until she can clear her name. Confident no one would think to search for her in an Amish community, she heads for her grandmother's home in Illinois. A safe haven is all Leah is looking for, but she soon finds herself entranced by the simplicity of the old-fashioned lifestyle. What she doesn't expect is to find a man there who stirs her heart."--Provided by publisher.
The Kaleidoscope British Christmas Television Guide 1937-2013
A Guide to British television programmes shown at Christmas time, throughout the years.
Don't Go Upstairs!
Throughout cinematic history, the buildings characters inhabit--whether stately rural mansions or inner-city apartment blocks--have taken on extra dimensions, often featuring as well developed characters themselves. Nowhere is this truer than in the horror film, where familiar spaces--from chaotic kitchens to forgotten attics to overgrown greenhouses--become settings for diabolical acts or supernatural visitations. Showing readers through a selection of prime movie real estate, this book explores how homes come to life in horror with an analysis of more than sixty films, including interviews and insights from filmmakers and scholars, along with many rare stills. From the gruesome murder in the hallway of The House by the Cemetery (1981) to the malevolent haunting in the nursery of Eel Marsh House in The Woman in Black (2012), no door is left unopened.
The Limits of Blame
Faith in the power and righteousness of retribution has taken over the American criminal justice system. Approaching punishment and responsibility from a philosophical perspective, Erin Kelly challenges the moralism behind harsh treatment of criminal offenders and calls into question our society’s commitment to mass incarceration. The Limits of Blame takes issue with a criminal justice system that aligns legal criteria of guilt with moral criteria of blameworthiness. Many incarcerated people do not meet the criteria of blameworthiness, even when they are guilty of crimes. Kelly underscores the problems of exaggerating what criminal guilt indicates, particularly when it is tied to the illus...
Horror Films of the 1970s
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
Best New Poets 2017
Entering its twelfth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country's top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
#Journalism | #Joernalistiek4.0
Stellenbosch University?s Department of Journalism celebrates its 40th anniversary with this publication reflecting on the four decades between 1978 and 2018 and all that happened behind 26 Crozier Street?s front door. But, in essence, it celebrates a lot more. It is an assessment of the importance of the media?s essential role in a democracy. This collection of essays, therefore, is a celebration of the inalienable right of freedom of expression, especially in the form of media freedom.
Motocross
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