You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"[Mendelson Joe] paints with more emotion than almost any other painter in the country. It comes through blazingly in the colours of his 'Working Women' series." -- Toronto Star In the words of Mendelson Joe: "My purpose in my work, any of it from song to essay to picture, is to tell the truth and it seems that most truth ain't couth. Inequality bugs me. Prejudice bugs me. And, I've long believed that women are the only hope for this ever-degrading organism that mothered us all. So, in 1982, I began to paint portraits of women. The purpose was to document women in the context of their job descriptions, so the pictures showed them as working folks as opposed to sexual objects." For years, Mendelson Joe has been painting portraits of women, some of them prominent (Anna Banana, Doris Anderson, Irshad Manji, June Callwood, Jane Siberry), and some less so. Along with faithful reproductions of the original paintings, Joe has added his own brand of particular comments about the subject and the sessions.
Winner of the 1997 Jewish Book Committee award for scholarship on a Canadian Jewish subject. Ever since Abella and Troper (None Is too Many, 1982) exposed the anti-Semitism behind Canada’s refusal to allow Jewish escapees from the Third Reich to immigrate, the Canadian churches have been under a shadow. Were the churches silent or largely silent, as alleged, or did they speak? In How Silent Were the Churches? a Jew and a Christian examine the Protestant record. Old letters, sermons and other church documents yield a profile of contemporary Protestant attitudes. Countless questions are raised — How much anti-Semitism lurked in Canadian Protestantism? How much pro-German feeling? How accur...
Noel Okay, so my life is officially at rock bottom. I’m 26 with nothing more to show for myself than a mountain of debt I can't pay back because I just got fired from my job as an assistant manager at a third-rate fast food chain. So, when I get a phone call from a rude lawyer telling me that my great aunt Sophie has died and she's left me a house - a whole damn house! - in Alexandria, Louisiana, I jump at the opportunity to skip out on next month's rent, since I can't afford it anyway. I maybe should have thought about this a little bit longer, because what I find when I get to the house on 2320 Fleur Belle Court is a two-story Victorian dump. The floors creak, the water temperature is ei...
Announcements for the following year included in some vols.
Canada's Jews covers the 240-year period from the beginnings of the Jewish community in the 1760s to the present day, illuminating the golden chain of Jewish tradition, religion, language, economy, and history as established and renewed in the northern lands.
The Library owns the volumes of the American Jewish Yearbook from 1899 - current.
In the 1970s, Hydro-Qu?bec declared “We Are Hydro-Qu?b?cois.” The slogan symbolized the intimate ties that had emerged between hydroelectric development in the North and French Canadian aspirations in the South. Caroline Desbiens focuses on the first phase of the James Bay hydroelectric project to explore how this culture of hydroelectricity hastened the erasure of Aboriginal homelands and the manipulation of Northern Quebec’s material landscape. She concludes that truly sustainable resource development will depend on all actors bringing an awareness of their cultural histories and visions of nature, North, and nation to the negotiating table.
If we are responsible educators, the causes of the Holocaust must be addressed in order to prevent future genocide. Contemporary Jewish Identity: Emanuele Ottolenghi and Mark Weitzman examine contemporary antisemitism in Europe and North America respectively. Michael Pollan reflects upon Jewish identity from the unique perspective of a young Jew who worked as a civil servant for the Austrian government in a program designed to acknowledge Austria's role as a perpetrator of the Shoah. Testimony: Firsthand testimony will soon be available only in memoirs or recorded oral histories. In the future, second and subsequent generations must speak as witnesses. Sheldon Schreter, a grandchild of Holocaust victims, describes a visit with his four sons to Sighet, Romania, his parents' birthplace, and struggles with the question of 'Why?' The prevention of genocide is, in large measure, dependent upon the good will and intervention of citizens living in modern cultures.
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.