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Myths, Memory & Lies
After witnessing a murder in Puerto Vallarta, young K. C. Flanagan finds that the killers are out to get her.
Working Women
"[Mendelson Joe] paints with more emotion than almost any other painter in the country. It comes through blazingly in the colours of his 'Working Women' series." -- Toronto Star In the words of Mendelson Joe: "My purpose in my work, any of it from song to essay to picture, is to tell the truth and it seems that most truth ain't couth. Inequality bugs me. Prejudice bugs me. And, I've long believed that women are the only hope for this ever-degrading organism that mothered us all. So, in 1982, I began to paint portraits of women. The purpose was to document women in the context of their job descriptions, so the pictures showed them as working folks as opposed to sexual objects." For years, Mendelson Joe has been painting portraits of women, some of them prominent (Anna Banana, Doris Anderson, Irshad Manji, June Callwood, Jane Siberry), and some less so. Along with faithful reproductions of the original paintings, Joe has added his own brand of particular comments about the subject and the sessions.
The Defining Decade
The 1960s witnessed a radical transformation in the Canadian Jewish community. The erosion of longstanding barriers of anti-Semitism resulted in increased access for Jews to the economic, political, and social Canadian mainstream. Arguing paradoxically that even as Canada became more accepting, Canadian Jews became more focused on Jewish identity, The Defining Decade examines how the 1960s redefined what it meant to be a Canadian Jew and a Jewish Canadian. Domestic events such as the Quiet Revolution, the eruption of Neo-Nazi activity, the election of Pierre Elliot Trudeau, and the promise of multiculturalism combined with international affairs such as the Six Day War, Arab rejectionism with regards to Israel, and the explosion of Soviet Jewish activisim to radically reshape Canadian Jewish priorities. In tracing the rapid changes of this tumultuous decade, Harold Troper draws upon a wealth of historical documentation, including more than eighty interviews, to demonstrate that the expression of Canadian Jewishness was an increasingly public - and political - commitment.
The Tenant
Noel Okay, so my life is officially at rock bottom. I’m 26 with nothing more to show for myself than a mountain of debt I can't pay back because I just got fired from my job as an assistant manager at a third-rate fast food chain. So, when I get a phone call from a rude lawyer telling me that my great aunt Sophie has died and she's left me a house - a whole damn house! - in Alexandria, Louisiana, I jump at the opportunity to skip out on next month's rent, since I can't afford it anyway. I maybe should have thought about this a little bit longer, because what I find when I get to the house on 2320 Fleur Belle Court is a two-story Victorian dump. The floors creak, the water temperature is ei...
King
Advance Praise for King "Here we have Allan Levine, one of the aces of Canadian historical chronicles, channelling Mackenzie King. And what a story they have to tell: our longest-serving prime minister, getting advice from his dog and having two-way conversations with his long-dead mother. If Canadian history was ever dull, it isn't now. Get this book." Book jacket.
How Silent Were the Churches?
Winner of the 1997 Jewish Book Committee award for scholarship on a Canadian Jewish subject. Ever since Abella and Troper (None Is too Many, 1982) exposed the anti-Semitism behind Canada’s refusal to allow Jewish escapees from the Third Reich to immigrate, the Canadian churches have been under a shadow. Were the churches silent or largely silent, as alleged, or did they speak? In How Silent Were the Churches? a Jew and a Christian examine the Protestant record. Old letters, sermons and other church documents yield a profile of contemporary Protestant attitudes. Countless questions are raised — How much anti-Semitism lurked in Canadian Protestantism? How much pro-German feeling? How accur...
Genocidal Legacy
An ethical standard for people whose rights are trampled upon due to programs of terror meant specifically for them as groups... begging us to remove ourselves from that conundrum.
