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Diplomatic List
Directory of foreign diplomatic officers in Washington.
Dosso Dossi
Dosso's rich color schemes are akin to those of his fellow North Italian Titian; he learned something about innovative composition from Raphael and about the force of the body from Michelangelo. But his paintings have a very individual appeal. In leafy natural surroundings containing an array of animals and heavenly bodies, events unfold that are often enigmatic, enacted by characters whose interrelationships elude definition.
Dosso's Fate
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Epic Arts in Renaissance France
'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Medieval Mythography, Volume 3
With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chance’s in-depth examination of works by the major writers of the period—including Dante, Boccaccio, and Christine de Pizan—demonstrates how they essentially co-opted a thousand-year tradition. Their intricate narratives of identity mixed commentary with poetry; reinterpreted classical gods and heroes to suit personal agendas; and gave rise to innovative techniques such as “inglossation,” the use of a mythological figure to comment on the protagonist within an autobiographical allegory. In this manner, through allegorical authorial projection of the self, the poets explored a subjective world and manifested a burgeoning humanism that would eventually come to full fruition in the Renaissance. No other work examines the mythographic interrelationships between these poets and their unique and personal approaches to mythological commentary.
Castel Thun
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Macht und Herrschaft als transkulturelle Phänomene
›Macht‹ und ›Herrschaft‹ als prägende politisch-gesellschaftliche Organisationsformen sozialer Ordnung der Vormoderne werden in dieser kommentierten Zusammenstellung von Texten, Bildern und Artefakten anschaulich. Gut gewählte Fallbeispiele beleuchten die thematischen Felder ›Konflikt und Konsens‹, ›Personalität und Transpersonalität‹, ›Zentrum und Peripherie‹ sowie ›Idealisierung und Kritik‹ und stellen sie jeweils in einer Kombination aus europäischen und außereuropäischen Fachperspektiven vor. Um eine transkulturelle Vergleichbarkeit zu erleichtern, folgen alle Beiträge, soweit möglich und sinnvoll, einem gemeinsamen Muster. Dabei sichern Übersetzungen fr...
Painters of Reality
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all tr...
