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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Grimmelshausen's enduring fame as Germany’s greatest satirical novelist has rested mainly on The Adventerous Simplicissimus, the first of four novels comprising the Simplician cycle. Less well known, though of equal interest for their penetrating and satiric insight into seventeenth-century beliefs and superstitions, are the two Simplician tales now made available to English readers in this edition: Courage, The Adventuress, the fictional biography of a camp follower in the Thirty Years War, a grimly humorous tale told in the earthy language of the people; and The False Messiah, comprising nine chapters from Grimmelshausen’s last work, The Enchanted Bird’s Nest, Part II. The book inclu...
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Wolfram von Eschenbach (fl. c. 1195-1225), best known as the author of Parzival, based Willehalm, his epic poem of military prowess and courtly love, on the style and subject matter of an Old French "chanson de geste." In it he tells of the love of Willehalm for Giburc, a Saracen woman converted to Christianity, and its consequences. Seeking revenge for the insult to their faith, her relatives initiate a religious war but are finally routed. Wolfram's description of the two battles of Alischanz, with their massive slaughter and loss of heroes, and of the exploits of Willehalm and the quasicomic Rennewart, well displays the violence and courtliness of the medieval knightly ideal. Wolfram flavors his brutal account, however, with tender scenes between the lovers, asides to his audience, sympathetic cameos of his characters--especially the women--and, most unusually for his time, a surprising tolerance for 'pagans'.