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In cultural history, the 1950s in Venezuela are commonly celebrated as a golden age of modernity, realized by a booming oil economy, dazzling modernist architecture, and nationwide modernization projects. But this is only half the story. In this path-breaking study, Lisa Blackmore reframes the concept of modernity as a complex cultural formation in which modern aesthetics became deeply entangled with authoritarian politics. Drawing on extensive archival research and presenting a wealth of previously unpublished visual materials, Blackmore revisits the decade-long dictatorship to unearth the spectacles of progress that offset repression and censorship. Analyses of a wide range of case studies...
As primeiras boîtes, os livros proibidos, os concursos de mini-saias e de ié-ié. As vedetas da TV, os bordéis, os mamarrachos, um ditador. A vida na Lisboa dos anos 60 é tudo isto, e muito mais. Baseado em factos históricos e memórias reais, esta cápsula do tempo é um antídoto para o esquecimento. Resgata personagens, cristaliza lugares, recorda escândalos e aventuras. Uma viagem surpreendente a um passado tão recente e já tão desconhecido.
Some vols. include special issues covering the proceedings of the congresses of the European Society of Cardiovascular Surgery or the International Cardiovascular Society.
Histórias de homens que escapam e deslizam, desafiam classificações e rótulos. Às vezes eles se escondem, ou, inversamente, se mostram como precursores de um estilo de vida e de um tempo social que os demais desconhecem ou não ousam experimentar. Fernando Seffner encontrou esses homens, escutou suas histórias, registrou suas manifestações de inquietude e de prazer, dúvidas e conquistas.
A corrective to conventional accounts of the reign of Queen Sancha and King Fernando I in medieval Iberia Acclaimed historians Bernard F. Reilly and Simon R. Doubleday tell the story of the reign of Queen Sancha and King Fernando I, who together ruled the territories of León and Galicia between 1038 and 1065—often regarded as a period in which Christian kings and their vassals asserted themselves more successfully in the face of external rivals, both Viking and Muslim. The reality was more complex. The Iberian Peninsula remained a space of multiple, intertwined forms of power and surprisingly nuanced relationships between—and among—the diverse configurations of Christian and Muslim au...
In a global historical moment of growing mobilizations against inequality, corruption, and exclusion, Only the People Can Save the People illustrates the necessity and challenges of more egalitarian approaches to collective life from one of the most tumultuous and compelling experiments in radical democracy. Donald V. Kingsbury examines twenty-first-century Venezuelan politics from the perspective of constituent power—the egalitarian, creative, and inclusive practice of radical democracy. In the aftermath of neoliberal structural adjustment, Venezuelan politics have been increasingly reconfigured according to principles of autogestión (self-management), social movement autonomy, protagoni...
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In 1935, after the death of dictator General Juan Vicente Gómez, Venezuela consolidated its position as the world's major oil exporter and began to establish what today is South America's longest-lasting democratic regime. Endowed with the power of state oil wealth, successive presidents appeared as transcendent figures who could magically transform Venezuela into a modern nation. During the 1974-78 oil boom, dazzling development projects promised finally to effect this transformation. Yet now the state must struggle to appease its foreign creditors, counter a declining economy, and contain a discontented citizenry. In critical dialogue with contemporary social theory, Fernando Coronil examines key transformations in Venezuela's polity, culture, and economy, recasting theories of development and highlighting the relevance of these processes for other postcolonial nations. The result is a timely and compelling historical ethnography of political power at the cutting edge of interdisciplinary reflections on modernity and the state.
As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese cour...