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Study of `artist novellas' of 19th-century German woman writer. One hundred years ago Marie von Ebner-Eschenbach (1830-1916) enjoyed within German-speaking countries the stature of a George Eliot, and her style and thematic interests resembled those of her English contemporary. Today, however, her fame has faded, and she is mainly known only to specialists, partly because her 'canon' has shrunk to a few prose works which are more reconciliatory than critical, falsely suggesting her to be a passive, conventional writer: her 'happy endings' have diverted her readers from the critical messages beneath the surface. By close analysis of a variety of works spanning the whole of her career, The Gui...
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Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other hand, female performance could support antifeminist convictions and validate masculine authority by positing woman as nothing but a false surface shaped by productive male forces. Influential male-authored tex...
Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor an...
Focusing on feminism in Germany, Towards Emancipation examines some of the most influential women writers of the nineteenth century, from the late-Romantic writers, such as Bettina von Arnim and Johanna Schopenhauer, to writers who were active in the 1848 Revolution, such as Malwida von Meysenbug and Johanna Kinkel. The heart of the book is devoted to the leading proponents of emancipation, Hedwig Dohm, Helene Bohlau and the prolific Louise Otto-Peters, yet it also includes mainstream writers whose attitudes towards the movement range from lukewarm (the enormously popular Marie von Ebner-Eschenbach and Gabriele Reuter) to downright hostile (Lou Andreas-Salome and Franziska zu Reventlow).
This volume of essays on Austrian fiction, compiled at a time when Austria is forming stronger links within the European Union, illustrates a transition from traditional preoccupations with character differences between Austrian and German literature to wider concerns of politics and gender. Fictional treatments of such issues as male homosexuality, problems in feminism, the representation of women in male-authored texts and anti-war protest are examined both in well-known novels and in little-known works by underrated authors. Many of the authors discussed have received insufficient recognition because they do not fall within a familiar canon of German literature. The specialised research involved in compiling this material is accessible through a series of book reviews included at the end of the volume which range in subject area from the life of an eighteenth-century soldier in the Habsburg service to the continuing discussion on Austrian identity.
This text documents the economic development of East Asian countries in order to highlight the beneficial techniques used to increase growth. Socialist and capitalist structures are discussed, complete with an analysis of the future extent of interaction between East Asian countries.