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"A timely and rigorous examination of ethnicity among the ancient Maya, focusing on ethnogenesis and exploring the complexities of Maya identity--how it developed, how it emerged and how it continues to change. Challenges the notion of ethnically homogenous "Maya peoples" for their region and chronology"--Provided by publisher.
"Many Spanish language teachers have little understanding of the indigenous languages and cultures that are part of the Spanish-speaking Americas. This book proposes to fill that gap and help teachers include the history and culture of Indigenous Peoples using a social justice lens. Indigenous America begins with an overview of the history of colonialism throughout the Spanish-speaking Americas and ties it to language teaching curricula and standards. Each substantive chapter ends with a list of conclusions, a list of questions for discussion and debate, and a set of teaching topics and concrete classroom exercises. Fountain will include photographs of places, people, and artifacts to make this history tangible. Appendices with more details about incorporating some rich resources into the Spanish language classroom are included, as is a glossary of important terms. This book is the first resource of its kind and is timely--teachers are eager to include more voices in their courses"--
In Carrying the Word: The Concheros Dance in Mexico City, the first full length study of the Concheros dancers, Susanna Rostas explores the experience of this unique group, whose use of dance links rural religious practices with urban post-modern innovation in distinctive ways even within Mexican culture, which is rife with ritual dances. The Concheros blend Catholic and indigenous traditions in their performances, but are not governed by a predetermined set of beliefs; rather they are bound together by long standing interpersonal connections framed by the discipline of their tradition. The Concheros manifest their spirituality by means of the dance. Rostas traces how they construct their identity and beliefs, both individual and communal, by its means. The book offers new insights into the experience of dancing as a Conchero while also exploring their history, organization and practices. Carrying the Word provides a new way for audiences to understand the Conchero's dance tradition, and will be of interest to students and scholars of contemporary Mesoamerica. Those studying identity, religion, and tradition will find this social-anthropological work particularly enlightening.
In "A Brief Account of the Destruction of the Indies," Bartolom√© de las Casas presents a harrowing expos√© of the atrocities committed against Indigenous peoples by European colonizers in the Americas. Through meticulously documented narratives, the text captures the brutality and inhumanity of the conquest, employing a poignant yet unflinching literary style that blends descriptive realism with ethical fervor. Written in 1552, amidst the burgeoning discourse on human rights and colonialism, las Casas'Äôs work challenged the prevailing ideologies of his time, advocating for the dignity and humanity of Indigenous populations against a backdrop of exploitative colonial expansion. A Do...
Explores the impact the discovery of the New World had upon Europeans' perceptions of their identity and place in history
Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.