Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How Long Can the Moon Be Caged?
Silencing and punishing critical voices is a project that lies at the heart of Narendra Modi's authoritarian regime in India. The BJP's political dream is clear: to achieve the ethnonationalist aim of an exclusively 'Hindu' India while targeting anyone who dares to question or dissent. In this unique collection, Suchitra Vijayan and Francesca Recchia look at the present of India through the lived experiences of political prisoners. Combining political and legal analysis with firsthand testimonies, the book explores the small gestures that constitute resistance inside and outside the jail for the prisoners and their families. How Long Can the Moon Be Caged? includes visual testimonies and prison writings from those falsely accused of inciting the Bhima Koregaon violence, student leaders opposing the new discriminatory citizenship law passed in 2020, and activists from the Pinjra Tod's movement. In bringing together these voices, the book celebrates the courage, humanity, and moral integrity of those jailed for standing in solidarity with marginalized and oppressed communities.
Picnic in a Minefield
Scholar-Author Francesca Recchia's Picnic in a Minefield recounts time spent teaching and traveling in Kurdistan. The memoir launches in August 2014. Her previous insights on culture, conflict, and creativity have won her legions of fans.
The Last Pictures
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and ear...
I won’t let them be like me
Ezidi people (Yezidi/Yazidi) and their culture suffered greatly at the hands of Daesh before, during, and after the 2014 Sinjar (Shingal) Genocide. Since the resulting forced migration, the Ezidi community as one of the most marginalised societies in the Middle East has undergone a significant amount of society-wide transformation. New avenues for agency have opened, and Shingali Ezidi women have taken these opportunities to express transformed identities, filling spaces previously unavailable, and altering “traditional” gender roles. This first extensive ethnographic work ever conducted with Ezidi women examines origins and developments of transformations in their female identity and agency. The analysis of their expressions and performances is particularly notable because of the subaltern position under numerous layers of minority, e.g. ethnicity, geography, religion, politics, culture, language, as well as gender. The aim of this study is to investigate the utilisation of subaltern identity to actualise agency among women after genocide.
Miriam Cahn
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and incl...
Art and Its Worlds: Exhibitions, Institutions and Art Becoming Public Exhibition Histories Vol. 12
An anthology of essays on art's relation to the public realm since 1989 This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney.
Beyond Moral Judgment
What is moral thought and what kinds of demands does it impose? Alice Crary's book Beyond Moral Judgment claims that even the most perceptive contemporary answers to these questions offer no more than partial illumination, owing to an overly narrow focus on judgments that apply moral concepts (for example, "good," "wrong," "selfish," "courageous") and a corresponding failure to register that moral thinking includes more than such judgments. Drawing on what she describes as widely misinterpreted lines of thought in the writings of Wittgenstein and J. L. Austin, Crary argues that language is an inherently moral acquisition and that any stretch of thought, without regard to whether it uses mora...
Retreat
Retreat is a lexicon, or inventory of language, to describe the action of withdrawal from civic life. By creating a spatial approach to the language of “escape”, the publication attempts to widen the definitions of familiar terms such as safety, surveillance, and self-reliance. The lexicon draws attention to current global events, such as the thread of epidemic disease, climate catastrophe, the militarization of public space and the impact of mass surveillance on daily life, specifically the emotional and social impact of the presence of unknown and potentially life threatening elements. The editorial approach for the lexicon is to investigate the notion and practices of retreat, its str...
Gendered Citizenship
This book explores how citizenship is differently gendered and performed across national and regional boundaries. Using ‘citizenship’ as its organizing concept, it is a collection of multidisciplinary approaches to legal, socio-cultural and performative aspects of gender construction and identity: violence against women, victimhood and agency, and everyday issues of socialization in a globalized world. It brings together scholars of politics, media, and performance who are committed to dialogue across both nation and discipline. This study is the culmination of a two-year project on the topic of 'Gendered Citizenship', arising from an international collaboration that has sought to develop a comparative and yet singular perspective on performance in relation to key political themes facing our countries of origin in the early decades of this century. The research is interdisciplinary and multinational, drawing on Indian, European, and North and South American contexts.
The Caravan
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
