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Crescendo to Becoming
This book is truly Cav. Francesco Fiorentino's labor of love. It was originally written around 2010 but was abandoned when the author lost his forty-four-year-old daughter to cancer. Thanks to the insistence and inspiration of his twelve grandchildren the rewriting of the book has been resurrected into this edition entitled Crescendo to Becoming, which translates to Growing to Becoming. Through this book, the author shares with us most, if not all, the kinds and types of person he has become during his lifetime, including some of his beliefs, some of his knowledge, and some of his feelings that impacted and influenced greatly what he ultimately became. The book is also a testimonial about hi...
The Development of the Italian Schools of Painting
With the sudden and immature death of the Author, this work, which was planned to comprise 2I volumes has had to end with the I8th. From a number of students and art critics requests have reached the publisher and myself that an index should be made of the volumes which have been published. Herein their desire has been satisfied. This general index is divided into two parts: one for names of places, so that with the greatest ease and without loss of time the student can find all the Italian paintings from early Christian times up to the end of the Quattrocento, which are scattered throughout the churches, galleries and private collections of Europe and America. For the larger towns the mater...
Publishing Women
Publisher description
Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland
The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.
The Development of the Italian Schools of Painting
The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence.
A Life of Resistance
Chronology -- Early years (1902-1918) -- New life (1918-1920) -- The path of resistance (1920-1926) -- Resisting alone (1926-1939) -- Antifascism for children (1939-1940) -- War (1940-1943) -- The Resistenza (1943-1945) -- Postwar politics (1945-1947) -- Women's rights, human rights (1947-1961) -- Educating resisters (1947-1968) -- Conclusion: The legacy of resistance -- Glossary
History of Italian Philosophy
This book is a treasure house of Italian philosophy. Narrating and explaining the history of Italian philosophers from the Middle Ages to the twentieth century, the author identifies the specificity, peculiarity, originality, and novelty of Italian philosophical thought in the men and women of the Renaissance. The vast intellectual output of the Renaissance can be traced back to a single philosophical stream beginning in Florence and fed by numerous converging human factors. This work offers historians and philosophers a vast survey and penetrating analysis of an intellectual tradition which has heretofore remained virtually unknown to the Anglophonic world of scholarship.
