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Dolla
  • Language: fr
  • Pages: 426

Dolla

  • Type: Book
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  • Published: 2021-12-01
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  • Publisher: SKA

Dans cette communauté de sexagénaires, on s’inquiète : Dolla, l’une des fondatrices, décède de façon imprévue. Les boomers sont dans l’angoisse car la série des disparitions continue... “C’est contrariant, mais pas dramatique...” ! Sacrée Dolla ! Toujours à minimiser les conneries des autres ! Toujours à pardonner, passer l’éponge... “Contrariant, mais pas dramatique...” Durant cinquante ans, j’ai dû supporter ça ! Si les poivrots ne réglaient pas leur ardoise... “Contrariant, mais pas dramatique !” Si les flics débarquaient à cause d’une bagarre... “Contrariant, mais pas dramatique !” Si on nous livrait du pain rassis que les clients nous laiss...

Pierres
  • Language: fr
  • Pages: 93

Pierres

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Mon Jardin Sans Probleme
  • Language: en
  • Pages: 159

Mon Jardin Sans Probleme

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

None

Theorizing the Ideal Sovereign
  • Language: en
  • Pages: 313

Theorizing the Ideal Sovereign

Delogu examines how biographical writings on kings contributed to nascent ideas of nationhood, exerted pressure upon traditional ideals of kingship, and ultimately redefined the theoretical and practical bases of medieval kingship.

The Houses and Collections of the Marquis de Marigny
  • Language: en
  • Pages: 710

The Houses and Collections of the Marquis de Marigny

  • Categories: Art

Between 1750 and his death in 1781, the Marquis de Marigny?brother of Madame de Pompadour, courtier to Louis XV, and one of eighteenth-century France's important patrons of art and architecture?amassed a collection that was broad in scope, progressive in taste, and exceptional in quality and provenance. This book offers a transcription of the exhaustive inventory of Marigny's estate together with an essay in which Alden R. Gordon not only sketches Marigny's life and times but also re-creates the interiors and grounds where the paintings, statues, books, household goods, and other property listed in the inventory were displayed and used. Also included are plans of Marigny's last four residences; lists of heirs, paintings, and auction sales; transcriptions of shipping manifests and sales catalogs; indexes; and a glossary.

Wace, The Hagiographical Works
  • Language: en
  • Pages: 406

Wace, The Hagiographical Works

  • Type: Book
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  • Published: 2013-06-06
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  • Publisher: BRILL

Best known for his two chronicles, the Roman de Brut and the Roman de Rou, Wace, one of the great pioneers of twelfth-century French writing, is also the author of three hagiographical works: the Conception Nostre Dame and the Lives of St Margaret and St Nicholas. The Conception is the first vernacular work to focus on the life of the Virgin Mary. Emphasising Margaret's concern for women in labour, the Margaret seemingly contributed to the saint's broad popularity. The Nicholas, with its many miracles involving children, equally played a key role in popularising its protagonist's cult. The present volume brings these works together for the first time and provides the original texts, the first translations into English, notes and substantial introductions.

Forgery Beyond Deceit
  • Language: en
  • Pages: 462

Forgery Beyond Deceit

  • Categories: Art

What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas thatpredominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena likepseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and forthe recovery of the fragmentary past of ancient Rome.

Female Singers on the French Stage, 1830-1848
  • Language: en
  • Pages: 253

Female Singers on the French Stage, 1830-1848

  • Type: Book
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  • Published: 2018-05-24
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  • Publisher: Unknown

Explores the profession of singing, operatic culture, and the representation of female performers on the nineteenth century French stage.

Translators and Their Prologues in Medieval England
  • Language: en
  • Pages: 316

Translators and Their Prologues in Medieval England

An examination of French to English translation in medieval England, through the genre of the prologue. The prologue to Layamon's Brut recounts its author's extensive travels "wide yond thas leode" (far and wide across the land) to gather the French, Latin and English books he used as source material. The first Middle English writer to discuss his methods of translating French into English, Layamon voices ideas about the creation of a new English tradition by translation that proved very durable. This book considers the practice of translation from French into English in medieval England, and how the translators themselves viewed their task. At its core is a corpus of French to English trans...

Arthur, Origins, Identities and the Legendary History of Britain
  • Language: en
  • Pages: 579

Arthur, Origins, Identities and the Legendary History of Britain

  • Type: Book
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  • Published: 2024-03-21
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  • Publisher: BRILL

Geoffrey of Monmouth’s immensely popular Latin prose Historia regum Britanniae (c. 1138), followed by French verse translations – Wace’s Roman de Brut (1155) and anonymous versions including the Royal Brut, the Munich, Harley, and Egerton Bruts (12th -14th c.), initiated Arthurian narratives of many genres throughout the ages, alongside Welsh, English, and other traditions. Arthur, Origins, Identities and the Legendary History of Britain addresses how Arthurian histories incorporating the British foundation myth responded to images of individual or collective identity and how those narratives contributed to those identities. What cultural, political or psychic needs did these Arthurian narratives meet and what might have been the origins of those needs? And how did each text contribute to a “larger picture” of Arthur, to the construction of a myth that still remains so compelling today?