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In this collection the author, "Frank Romano throws himself headlong-physically and spiritually-into the world. In Crossing Over, Romano generously extends himself through language to make his experiences our own." Martha Witt, Author of Broken As Things Are Professor of Creative Writing at William Paterson University. "Frank Romano has the unusual poetic ability to focus on the commonplace, such as his "Squirrel" piece, and then to show how it radiates some of the deepest of life's themes. His other new poem, "Bread and Gladiators" is both pungent and melodic, but hardly subdued. Romano targets us with some of the most provocative of thoughts, thought meant to jar us out of our dullest comp...
From the Victorian era to the start of the twenty-first century, the Mergenthaler Linotype Company dominated the typesetting and printing industries. Unlike previous books which have ended with the invention of the Linotype, Frank Romano tells the rest of the story. This book details the products, the people, and the corporate activities that kept the company ahead of its competition in hot metal, phototypesetting, and pre-press technology. Over ten corporate entities eventually formed the U.S. manufacturer, which ended its corporate life as a division of a German press maker. What began in 1886 ended finally in May 2013, when the Linotype Library division of Monotype Imaging was closed down. After 127 years, the last resting place of the history of the Linotype Company is in this book.
The age of print was begun by Johannes Gutenberg in 1440 in Mainz, Germany. His invention of the mechanized and mass production of print replaced the previous handwriting of the scribes and was a transformative achievement. It was both the product of and a catalyst for far-reaching intellectual, social, and political changes that began during the Renaissance and continued for centuries right up to the present. The age of electronic media was begun by Steve Jobs in 1985 in Cupertino, California. His integration of the elements of desktop publishing--personal computer, page-layout software, page-description language, and laser printer--replaced the previous photomechanical processes of printin...
"Typesetting was simultaneously a process, a machine, a person, a service, and an industry. It was manual, mechanical, automated, and electronic -- and almost all of these methods overlapped over 50 years. The phototypesetting era began in 1945 with Higgonet and Moyroud established the basis for electro-mechanical phototypesetting. The roots of phototypesetting go back to the 1930s when the first patents were filed by Intertype, Monotype, and others to adapt mechanical typesetters to photographic typesetting. One can even go back to the early 1900s when photographic typesetters were envisioned. The last phototypesetter was manufactured in the late 1980s as laser imagesetters and CTP replaced them. This book covers the almost 400 models of 1st, 2nd, and 3rd generation phototypesetters and ends in 1985. It is a time capsule of a bygone era."--Back cover.
Four times in western history: in the 1400s, the early 1800s, the 1880s, and again in the mid-20th century, we learned to duplicate and disseminate the printed word more cheaply. And each time strange events followed. For with each of these changes in the gritty production of glamorous content, expensive and secret bodies of knowledge abruptly became cheap and easy to spread. Once-rare and sometimes disorienting impressions rained down on once-sheltered folks. New and otherwise inexpert hands mixed them into whole new breeds of information, myth, logic, and viewpoints. There were fantastic scientific advances, mass migrations, bold social experiments, financial upheavals, and much bloodshed....
This book, first published in 1999, analyses the convergence of financial, technical, and public policy considerations that turned what seemed like science fiction twenty years ago into a library fact of life today. It shows that while electronic publication greatly speeds issuance of important scientific results of enduring value, it also has the potential to lower the economic threshold at which crank papers and marginal publications can gain a wide, if sadly misled audience, in the short run. It demonstrates that while scientists invented the web, they no longer control it, and that even the very largest research organizations, libraries, publishers, and journal aggregators, will, to a substantial degree, be at the technological and economic mercy of commercial users of the web.
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