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Implication, Readers' Resources, and Thomas Gray's Pindaric Odes
Implication, Readers' Resources, and Thomas Gray's Pindaric Odes presents an account of "the Poets' Secret," the quite belated, historically recent, discovery by scholars and critics of something many poets have recognized and employed for ages: the sense expressed by allusively parallel parts within a text--thus expressed intratextually rather than only intertextually. Inferential perception of the implicit sense produced logically and linguistically--by enthymemes, implicatures, and other intratextual features, as well as intertextual ones--can be indispensable for readers' comprehension of literary as well as other texts, especially their difficult passages. Implication, Readers' Resource...
Virgil's Aeneid
Recounts the adventures of the Trojan prince Aeneas, who helped found Rome, after the fall of Troy.
Getting Into the Act
Getting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.
Diderot Studies
None
Shakespeare, Milton and Eighteenth-Century Literary Editing
Study of the theories and methods informing editions of Milton and Shakespeare in the eighteenth century.
The Imaginative World of Alexander Pope
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.
Literate Culture
Rhetorical strategies explored in some detail are Pope's use of generic expectations in either traditional "poetic kinds" or in his own metamorphosed versions; underlying structures of argument patterned after classical oratorical models; his methods of appeal through rational argument, character, or emotion; his reliance on personae; and his variations of expressive "transparency" and "opacity" correlating with classical views of formalistic refinement and poetic distance--of "light" and "shadow." The Dunciad Variorum (1729) roughly divides Pope's poetical career. In 1729 Pope began his serious planning for an opus magnum, which later became his Moral Essays and An Essay on Man, and shortly thereafter he turned his attention to the composition of his Horatian satires. It appears that the satirical muse of his Moral Essays prepared him for the crucial inspiration of his friend Lord Bolingbroke around 1733.
Imagining the Dead in British Literature and Culture, 1790–1848
This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.
Pride and Prejudice (Fourth Edition) (Norton Critical Editions)
The Norton Critical Edition of Pride and Prejudice has been revised to reflect the most current scholarly approaches to Austen’s most widely read novel. The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations. This Norton Critical Edition also includes: · Biographical portraits of Austen by members of her family and, new to the Fourth Edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). · Fourteen critical essays, eleven of them new to the Fourth Edition, reflecting the finest current scholarship. Contributors include Janet Todd, Andrew Elfenbein, Felicia Bonaparte, and Tiffany Potter, among others. · “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, Henry James, and others. · A Chronology and revised and expanded Selected Bibliography.
