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From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision mak...
hrsg. von Hans Hoffmann . ; NST: Fritz-Stein-Festschrift zum 17. Dezember 1939 ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- 4 B.Sandb. 31