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The Jesuit Series Part Five (P-Z)
The Corpus Librorum Emblematum (CLE) series presents documentation relating to printed books belonging to the tradition of emblems and imprese.The individual catalogues provide comprehensive short-title information accompanied by facsimile reproductions of title pages, and, where possible, also a sample emblem. The volumes provide a representative selection of library locations and pressmarks. Fingerprints and facsimile title pages enhance the bibliographic description of the books so that the record provided by CLE contains sufficient information to identify the edition or issue of a given emblem book. The bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Translations and adaptations of Jesuit works in all languages are also included.The complete Jesuit Series will comprise some 1700 entries: about 500 first editions, and a further 1200 subsequent editions, issues and translations.
The Emblem in Early Modern Europe
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems fol...
Jesuit Art
In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.
Literature in the Light of the Emblem
The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.
Jesuit Series
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
The Jesuit Emblem in the European Context
The Jesuit Emblem in the European Context' sets out to understand the emblems currently known to have been written by Jesuits (at least 1,525 printed books) in the context of the production of emblems in Europe. The Introduction offers a brief account of the Society of Jesus, followed by chapters on the European Emblem, the Ratio studiorum (the flexible blueprint for Jesuit education as offered by Jesuit colleges throughout the world), Jesuit Theory of Symbology, the Major Jesuit Emblem Books, the Material Culture (everything not deriving from print), and Purposes Served by Jesuits Using Emblematic Forms. Conclusions follow, with historical information on provinces and colleges of the Society of Jesus provided in appendices. 0Many scholars have considered this or that Jesuit writer, some of his works, individual colleges, and the role of emblem in Jesuit education. However, to date these investigations remain partial. This is the first comprehensive attempt ever to review what Jesuits accomplished using the emblem form.
As I Remember Fordham
This volume contains seventy-five interviews with Fordham administrators, faculty, and staff who share their rememberances of the University. The occasion for the project is Fordham's Sesquientennial celebration as the University completes its one-hundred and fiftieth year and the excerpts range from Fordham's earlier days to current events. Collectively, this book is an informal history of Fordham and its people, both as a community which is vital and growing, and a university whose past is rich in tradition. In a "Message from the President," Rev. Joseph A. O'Hare, S.J. summarizes the importance of the project in this way, "A university, like any great institution, transcends the experienc...
The European Emblem
Emblems—pictorial designs with accompanying mottoes and epigrams— helped to shape virtually every form of verbal and visual communication in the West during the sixteenth and seventh centuries. A recent re-awakening of scholarly interest in the emblem has brought to light the difficulty of locating and consulting the unorganized mass of available material. Recognizing the need for a large-scale systematic index to the emblem, the editor organized a symposium at McGill University to discuss the possibilities of preparing such an index. The resulting papers by six symposium participants— Barbara Becker-Cantarino, Peter M. Daly, Peter Erb, G. Richard Dimler, Lorelei Robins, and Alan Young—contribute to our knowledge of the emblems of Peacham and Corrozet, the Dutch love emblems, the Jesuit emblem, and emblems used in books of mediation. The essays also discuss the problems and procedures involved in preparing an Index Emblematicus, a work which would serve scholars working in the fields of literature, art, culture, religion, history, and the languages. The volume is richly illustrated with over forty emblem reproductions.
