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White Like Her
White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.
Asperity Street
Asperity Street, Gail White's most balanced poetry collection, explores the breadth of human existence with cutting wit, irreverence, keen intelligence, and an uncommon mix of empathy and asperity. Besides the cynical or the lighthearted, which are hallmarks of White's work, there is a newfound earnestness and gravity in these poems in their survey and interrogation of the human condition. White journeys the span from nursery to hospice--in between, she navigates the prom, family occasions, mating, gossip, and money matters with masterful formal dexterity. This is a collection that rewards the reader with a thoroughly entertaining and illuminating experience. PRAISE FOR "ASPERITY STREET: " I...
White Skins/Black Masks
In this exciting re-reading of the classic work of Haggard and Kipling, Gail Ching-Liang Low examines the representational dynamics of colonizer versus colonized. Exploring the interface between the native 'other' as a reflection and as a point of address, the author asserts that this 'other' is a mirror reflecting the image of the colonizer - a 'cultural cross-dressing'. Employing psychoanalysis, anthropology and postcolonial theory, Low analyzes the way in which fantasy and fabulation are caught up in networks of desire and power. White Skins/Black Masks is a fascinating entry into the current debate of post-colonial theory.
Every Mountain Made Low
Loxley Fiddleback can see the dead, but the problem is... the dead can see her. Ghosts have always been cruel to Loxley Fiddleback, especially the spirit of her only friend, alive only hours before. Loxley isn’t equipped to solve a murder: she lives near the bottom of a cutthroat, strip-mined metropolis known as “The Hole,” suffers from crippling anxiety and doesn’t cotton to strangers. Worse still, she’s haunted. She inherited her ability to see spirits from the women of her family, but the dead see her, too. Ghosts are drawn to her like a bright fire, and their lightest touch leaves her with painful wounds. Loxley swears to take blood for blood and find her friend’s killer. In doing so, she uncovers a conspiracy that rises all the way to the top of The Hole. As her enemies grow wise to her existence, she becomes the quarry, hunted by a brutal enforcer named Hiram McClintock. In sore need of confederates, Loxley must descend into the strangest depths of the city in order to have the revenge she seeks and, ultimately, her own salvation.
Racetalk
Studying racism is challenging. Most people avoid publicly expressing racialized comments in fear of being labeled racist. Much public talk is sugar coated and coded to distance the speaker from the racist message. This study captures behind the scenes commentary—racetalk—that degrades people due to race and ethnicity. Despite racial inroads made over the past several decades, the racetalk in this study evinces old fashioned racist ideas persisting in modern imaginations. These scripts say that African Americans are dangerous. Whites are superior. Latinos are dirty and disposable. Indians are sinister. Slavery is a trivial—if not nostalgic and amusing—historical anomaly that is bette...
The Kirbys of New England
A history of the descendants of John Kirby of Middletown, Conn. and of Joseph Kirby of Hartford, Conn., and of Richard Kirby of Sandwich, Mass. Together with genealogies of the Burgis, White and Maclaren families, and the Ancestry of John Drake of Windsor, Conn.
The Fairer Death
Publisher description
Angels in the Whirlwind
Jimmi Lee's childhood is traumatic. Her father, T.R., addicted to alcohol and suffering from manic depression, is driven by demons from his past. He is particularly cruel to Jimmi. Pearl, her mother, enables their father at the expense of the children. Jimmi dreams of love, becoming rich, returning to her grandparent's ranch and taking the younger children with her. Angry and rebellious, Jimmi has migraine headaches and becomes dependent on codeine. She meets Edward, falls instantly in love and decides to marry him. She plots to extricate him from a long term affair; succeeds and marries him. Increasingly unhappy, she learns that money does not buy love, happiness, or security. All her pregn...
