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Empire Unbound
Empire Unbound argues that European empires were not the bounded, stable entities that imperialists imagined. Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late 19th century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways.
Revolutionary Europe
Revolutionary Europe is an original examination of radical political movements during Europe's long 19th century. It employs both national and transnational contexts, incorporating new debates in Atlantic history, empire studies and cultural history to give a comprehensive narrative of the period from 1775 to 1922. Rather than assessing revolution as a purely theoretical, socially-driven force or a structural phenomenon, the book presents revolution as a process of community building and cultural identification born from instances of acute social and political crisis. Taking into account various moments of political upheaval during the 19th century, including the French, Russian and 1848 revolutions, it explores the ways in which political actors attempted to construct new definitions of sovereignty and social unity in a period characterized by vast social, economic and governmental change. In a wide-ranging text that covers Britain and much of continental Europe in detail, as well as reaching out to the Americas and Atlantic and Mediterranean Worlds, Gavin Murray-Miller provides an authoritative transnational study of revolution in the 19th-century age of high nationalism.
The Cult of the Modern
"The Cult of the Modern focuses on nineteenth-century France and Algeria and examines the role that ideas of modernity and modernization played in both national and colonial programs during the years of the Second Empire and the early Third Republic. Gavin Murray-Miller rethinks the subject by examining the idiomatic use of modernity in French cultural and political discourse. The Cult of the Modern argues that the modern French republic is a product of nineteenth-century colonialism rather than a creation of the Enlightenment or the French Revolution. This analysis contests the predominant Parisian and metropolitan contexts that have traditionally framed French modernity studies, noting the...
The Cult of the Modern
"The Cult of the Modern focuses on nineteenth-century France and Algeria and examines the role that ideas of modernity and modernization played in both national and colonial programs during the years of the Second Empire and the early Third Republic. Gavin Murray-Miller rethinks the subject by examining the idiomatic use of modernity in French cultural and political discourse. The Cult of the Modern argues that the modern French republic is a product of nineteenth-century colonialism rather than a creation of the Enlightenment or the French Revolution. This analysis contests the predominant Parisian and metropolitan contexts that have traditionally framed French modernity studies, noting the...
Locating Europe
During the eighteenth and nineteenth centuries, Europeans spread out across the globe. They colonized territories in Africa, Asia and the Americas and created homelands thousands of miles away from the European continent. Locating Europe looks at the influence of European settler communities on the currents of nationalism and identity in an age of empire. Moving through Barbados, Algiers, Cairo and Tashkent, this succinct essay offers a sweeping panorama that explores the meaning of "Europe" for those on the continent as well as those who traveled and lived abroad. Drawing upon recent scholarship in colonial and nationality studies, Locating Europe illuminates the possibilities of a global European history and speculates on the impact that migration and globalization continue to have on Europe to this day.
The Cult of the Modern
The Cult of the Modern focuses on nineteenth-century France and Algeria and examines the role that ideas of modernity and modernization played in both national and colonial programs during the years of the Second Empire and the early Third Republic. Gavin Murray-Miller rethinks the subject by examining the idiomatic use of modernity in French cultural and political discourse. The Cult of the Modern argues that the modern French republic is a product of nineteenth-century colonialism rather than a creation of the Enlightenment or the French Revolution. This analysis contests the predominant Parisian and metropolitan contexts that have traditionally framed French modernity studies, noting the ...
Kojo Laing, Robert Browning and Affiliative Literature
This book compares the Victorian British poet Robert Browning and the twentieth-century Ghanaian poet and novelist Kojo Laing—two writers whose texts frequently foreground multi-scalar transregional cartographies, points of connection and translation, and imaginative kinships between different linguistic and cultural communities. Starting from the numerous and surprising points of connection and resemblance between both authors’ texts, this book puts pressure on critical practices that would keep writers like Laing and Browning separate, positing instead the importance of paying attention to the transnational, cross-cultural, and cross-temporal imaginative relationships texts themselves ...
The Parenthetical Review
Summer 2014
A Velvet Empire
How France's elites used soft power to pursue their imperial ambitions in the nineteenth century After Napoleon's downfall in 1815, France embraced a mostly informal style of empire, one that emphasized economic and cultural influence rather than military conquest. A Velvet Empire is a global history of French imperialism in the nineteenth century, providing new insights into the mechanisms of imperial collaboration that extended France's power from the Middle East to Latin America and ushered in the modern age of globalization. David Todd shows how French elites pursued a cunning strategy of imperial expansion in which conspicuous commodities such as champagne and silk textiles, together wi...
Mediterranean Europe(s)
This book investigates how ideas of and discourses about Europe have been affected by images of the Mediterranean Sea and its many worlds from the nineteenth century onwards. Surprisingly, modern scholars have often neglected such an influence and, in fact, in most histories of the idea of Europe the Mediterranean is conspicuously absent. This might partly be explained by the fact that historians have often identified Europe with modernity (and the Atlantic world) and, therefore, in opposition to the classical world (centred around the Mediterranean). This book will challenge such views, showing that a plethora of thinkers, from the early nineteenth century to the present, have refused to re...
