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Jewish Fantasy Worldwide: Trends in Speculative Stories from Australia to Chile reaches beyond American fiction to reveal a spectrum of Jewish imagination. The chapters in this collection cover speculative works by Jewish artists and about Jewish characters from a broad range of national contexts, including post-Holocaust Europe, the Soviet Union, Israel, South America, French Canada, and the Middle East. The contributors consider various media including novels, short stories, film, YouTube videos, and fanfiction. Essays explore topics ranging from the ancient Jewish kingdom of Khazaria to modern university classes and the revival of Yiddish to the breadth of LGBTQ+ representation. For scholars and fans alike, this collection of essays will provide new perspectives on Jewish presences in speculative fiction around the world.
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The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.
Finalist for the Ferro-Grumley Award for LGBTQ Fiction For fans of Maggie Nelson and Eileen Myles, the lyrical and deeply moving story of a young queer woman’s journey across Russia to inter her mother’s ashes and to understand her sexuality, femininity, and grief From one of Russia’s most exciting new voices, Wound follows a young lesbian poet on a journey from Moscow to her hometown in Siberia, where she has promised to bury her mother’s ashes. Woven throughout this fascinating travel narrative are harrowing and at times sublime memories of her childhood and her sexual and artistic awakening. As she carefully documents her grief and interrogates her past, the narrator of Oksana Vas...
Poetry. This anthology presents a group of writers and a literary phenomenon that has been unknown even to Russian readers for 70 years, obfuscated by historical amnesia. Gennady Gor, Pavel Zaltsman, Dmitry Maksimov, Sergey Rudakov, and Vladimir Sterligov wrote these works in 1942, during the most severe winter of the Nazi Siege of Leningrad (1941-1944). In striking contrast to state-sanctioned, heroic "Blockade" poetry in which the stoic body of the exemplary citizen triumphs over death, the poems gathered here show the Siege individual (blokadnik) as a weak and desperate incarnation of Job. These poets wrote in situ about the famine, disease, madness, cannibalism, and prostitution around t...
An estimated forty thousand Jews were murdered during the Russian Civil War between 1918 and 1922. As the Dust of the Earth examines the Yiddish and Russian literary response to the violence (pogroms) and the relief effort, exploring both the poetry of catastrophe and the documentation of catastrophe and care. Brilliantly weaving together narrative fiction, poetry, memoirs, newspaper articles, and documentary, Harriet Murav argues that poets and pogrom investigators were doing more than recording the facts of violence and expressing emotions in response to it. They were interrogating what was taking place through a central concept familiar from their everyday lifeworld—hefker, or abandonme...
"In an environment where a public Jewish presence was routinely delegitimized, reading uniquely provided for many Soviet Jews an entry to communal memory and identity. This project decodes the complex reading strategies and the specifically Jewish uses to which the books on the Soviet Jewish bookshelf were put"--