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Daughters of the Diaspora
Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.
A Place in the Sun
A Place in the Sun? examines the work of Cuban women writers in the 20th century. Catherine Davies explores how Cuban women's literature has contributed to constructions of a collective identity.
Gentes y cosas
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Black Women as Custodians of History: Unsung Rebel (M)Others in African American and Afro-Cuban Women's Writing
This book is an essential addition to the study of comparative black literature of the Americas; it will also fill the gap that exists on theoretical studies exploring black women's writing from the Spanish Caribbean. This book examines literary representations of the historic roots of black women's resistance in the United States and Cuba by studying the following texts by both African American and Afro-Cuban women from four different literary genres (autobiographical slave narrative, contemporary novel on slavery, testimonial narrative, and poetry): Incidents in the Life of a Slave Girl (1861) by the African American former slave Harriet Jacobs, Dessa Rose (1986) by the African American wr...
La "poesia Testimonial Womanista" de Excilia Saldaña, Nancy Morejón Y Georgina Herrera
My Ph.D thesis, entitled "The Womanist Testimonial Poetry Written by Excilia Saldaña, Nancy Morejón and Georgina Herrera," is a post-colonial, sociological, and historiographical analysis of the testimonial poetry written by three Afro-Cuban women poets. The theoretical framework applied is the social theory of womanism from Kemberle Crenshaw, Patricia Hill Collins and Clenora Hudson-Weens, among others. This theory received its name from Alice Walker, who proposed it for the first time in her book In Search of Our Mothers' Gardens (1983), and fills a gap that previously existed between western feminism and ethnic studies. The poems of these three authors describe not only the simultaneous...
Hierarchies at Home
This book destabilizes racialized and gendered assumptions about labour in Cuba and challenges traditional chronologies of 20th-century Cuban history.
Afrocubanas
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities o...
Guarding Cultural Memory
In Guarding Cultural Memory, Flora González Mandri examines the vibrant and uniquely illuminating post-Revolutionary creative endeavors of Afro-Cuban women. Taking on the question of how African diaspora cultures practice remembrance, she reveals the ways in which these artists restage the confrontations between modernity and tradition. González Mandri considers the work of the poet and cultural critic Nancy Morejón, the poet Excilia Saldaña, the filmmaker Gloria Rolando, and the artists María Magdalena Campos-Pons and Belkis Ayón. In their cultural representations these women conflate the artistic, the historical, and the personal to produce a transformative image of the black woman a...
