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Pride and Prejudice
Filled with brave, stirring, and multi-layered works of fiction, poetry, journalism, academic writing and photography from across the African continent, this anthologhy offers new perspectives on what it means to be marginalized, forgotten and stripped of one's humanity. 'Pride and Prejudice' is a collection of the short-listed entries to the inaugural award, named after Gerald Kraak (1956-2014), who was a passionate champion of social justice and an anti-apartheid activist.
As You Like it
"We are homosexuals, heterosexuals, bisexuals, transsexuals and whateversexuals, burning to rescue this continent..." --Pwaangulongii Dauod The second offering in the Gerald Kraak annual anthology, As You Like It, is a collection of the short-listed entries submitted for the Gerald Kraak Award. This anthology offers a window into deeply located visions and voices across Africa. It brings together stories of self-expression, identity, sexuality, and agency, all located within Africa and its legacy.
Handbook Global History of Work
Coffee from East Africa, wine from California, chocolate from the Ivory Coast - all those every day products are based on labour, often produced under appalling conditions, but always involving the combination of various work processes we are often not aware of. What is the day-to-day reality for workers in various parts of the world, and how was it in the past? How do they work today, and how did they work in the past? These and many other questions comprise the field of the global history of work – a young discipline that is introduced with this handbook. In 8 thematic chapters, this book discusses these aspects of work in a global and long term perspective, paying attention to several kinds of work. Convict labour, slave and wage labour, labour migration, and workers of the textile industry, but also workers' organisation, strikes, and motivations for work are part of this first handbook of global labour history, written by the most renowned scholars of the profession.
Not to Mention
As her 21st birthday approaches, Katy Ferreira has not left her bedroom for close on two years. In fact, she has not left her bed – at 360 kilogrammes, she simply can’t. Characterised by an indomitable spirit, Katy tries to make the best of a bad situation. She does the crossword in the Herald newspaper her mother brings home, consumes the food she craves – biscuits, pies, doughnuts, litres of fizzy drinks – and waits in hope for insulin and a solution to her plight. To pass the time she begins to compile her own crossword in one of the Croxley notebooks that have been unused since she dropped out of school. Within each cryptic clue is a message, an attempt to explain how it feels to...
The Forgotten People
The apartheid state employed many weapons against its opponents: imprisonment, banning, detention, assassination - and banishment. In a practice reminiscent of Tsarist and Soviet Russia, a large number of 'enemies of the state' were banished to remote areas, far from their homes, communities and followers. Here their existence became 'a slow torture of the soul', a kind of social death. This is the first study of an important but hitherto neglected group of opponents of apartheid, set in a global, historical and comparative perspective. It looks at the reasons why people were banished, their lives in banishment and the efforts of a remarkable group of activists, led by Helen Joseph, to assist them. Book jacket.
South Africa and the Dream of Love to Come
Uncovers the story of how the politics of queer sexuality have played out in the struggle for multiracial democracy in South Africa
End
Set amidst erupting violence and an edgy, war-torn Johannesburg, South Africa, in the 1980s, this brutally witty and unnervingly erotic postmodern novel explores destiny’s uncertainties.
Tracing the (Post)Apartheid Novel beyond 2000
This anthology comprises of interviews with contemporary South African authors, offering vignettes of their lives and summaries of their works. In curating this book, Danyela Demir and Olivier Moreillon step beyond pure literary theory and analysis. They welcome the authors to speak and assess the literary panorama in which they live and co-create. However, Demir and Moreillon also trace concepts and terms that describe the current South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book contributes to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel Beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary ‘big names’, such as André P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are popular worldwide, and the younger and newer generation of South African writers, who go largely unnoticed. Print edition not for sale in Sub Saharan Africa.
Vector 287
Vector is the critical journal of the British Science Fiction Association, publishing articles and features on genre fiction across the world, with some focus on UK science fiction. Vector publishes two to three issues per year. Vector magazine was founded in 1958. Its contributors have included such authors and critics as Brian Aldiss, Gregory Benford, Christopher Fowler, Mary Gentle, Damon Knight, Michael Moorcock, Brian Stableford, and of course many more. In addition to writers and scholars, various artists have generously permitted their work to be used as cover art for the magazine.
Uncanny Magazine Issue 60
The September/October 2024 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Natalia Theodoridou, Eddie Robson, Angela Liu, Tananarive Due, M.M. Olivas, Jo Miles, and Marissa Lingen. Essays by Sophie Aldred, Yamile Saied Méndez, John Scalzi, and LaShawn M. Wanak, poetry by Prosper C. Ìféányí, Aline-Mwezi Niyonsenga, Angel Leal, and Mikal Wix, interviews with Angela Liu and M.M. Olivas by Caroline M. Yoachim, a cover by John Picacio, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
