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American Sonnets
Fifty-nine "Stern sonnets" of twenty or so lines from the 1998 National Book Award winner. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next. "I was taken over by the writing of these poems," Stern says.
Early Collected Poems 1965-1992
“Stern’s unadorned craftsmanship has few rivals in American letters.”—Philadelphia Inquirer Early Collected Poems gathers the poems from the first six books of Gerald Stern’s body of work. A master poet, Stern has sought new language for the overlooked, neglected, and unseen facets of human experience. Whether writing about modern poets, Hebrew prophets, death, war, or love, “Stern’s literary songs are sharp, surprising, and unerring in their delivery” (Ploughshares, Editor’s Choice). from “The Red Coal” The coal has taken over, the red coal is burning between us and we are at its mercy— as if a power is finally dominating the two of us; as if we’re huddled up watching the black smoke and the ashes; as if knowledge is what we needed and now we have that knowledge. Now we have that knowledge.
Lucky Life
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Stealing History
In what could be boldly called a new genre, Gerald Stern reflects with wit, pathos, rage, and tenderness, on 85 years of life. In 70 short, intermingling pieces that constitute a kind of diary of a mind, Stern moves nimbly between the past and the present, the personal and the philosophical. Creating the immediacy of dailiness, he writes with entertaining engagement about what he’s reading, be it Spinoza, Maimonides, John Cage, Etheridge Knight, James Schuyler, or Lucille Clifton, and then he seamlessly turns to memories of his student years in Europe on the GI Bill, or his political and social action. Unexpected anecdotes abound. He hilariously recounts the evening Bill Murray bit his arm and tells about singing together with Paul McCartney. Interwoven with his formidable recollections are passionate discussions of lifelong obsessions: his conflicted identity as a secular Jew opposed to Israel’s Palestinian policy; the idea of neighbors in various forms — from the women of Gee’s Bend who together made beautiful quilts to the inhabitants of Jedwabne, who on a single day in 1941 slaughtered 300 Jews; and issues of justice.
The Buffalo Creek Disaster
One Saturday morning in February 1972, an impoundment dam owned by the Pittston Coal Company burst, sending a 130 million gallon, 25 foot tidal wave of water, sludge, and debris crashing into southern West Virginia's Buffalo Creek hollow. It was one of the deadliest floods in U.S. history. 125 people were killed instantly, more than 1,000 were injured, and over 4,000 were suddenly homeless. Instead of accepting the small settlements offered by the coal company's insurance offices, a few hundred of the survivors banded together to sue. This is the story of their triumph over incredible odds and corporate irresponsibility, as told by Gerald M. Stern, who as a young lawyer and took on the case and won.
Lovesick
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Paradise Poems
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New American Poets
The best contemporary American poets are represented in this essential anthology.
Save the Last Dance
The fifteenth collection by a celebrated poet whose “terrific, boisterous energy has never flagged” (Megan Harlan, San Francisco Chronicle). In Save the Last Dance, Gerald Stern gives us a stunning collection of his intimately personal—yet always universal, and always surprising—poems, rich with humor and insight. Shorter lyric poems in the first two parts continue the satirical and often redemptive vision of his last collection, Everything Is Burning, while never failing to carve out new emotional territory. In the third part, a long poem called "The Preacher," Stern takes the book of Ecclesiastes as a starting point for a meditation on loss, futility, and emptiness, represented here by the concept of a "hole" that resurfaces throughout.
