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A translation of the works of one of a key Palestinian poet contains his 10th and most recent poetry collection, along with selected earlier poems that illuminate the vision of what Arabic and Palestinian poetry are capable of.
"Originally published in Arabic in 1995"--Title page verso.
Silencing the Sea follows Palestinian poets' debates about their craft as they traverse multiple and competing realities of secularism and religion, expulsion and occupation, art, politics, immortality, death, fame, and obscurity. Khaled Furani takes his reader down ancient roads and across military checkpoints to join the poets' worlds and engage with the rhythms of their lifelong journeys in Islamic and Arabic history, language, and verse. This excursion offers newfound understandings of how today's secular age goes far beyond doctrine, to inhabit our very senses, imbuing all that we see, hear, feel, and say. Poetry, the traditional repository of Arab history, has become the preeminent medium of Palestinian memory in exile. In probing poets' writings, this work investigates how struggles over poetic form can host larger struggles over authority, knowledge, language, and freedom. It reveals a very intimate and venerated world, entwining art, intellect, and politics, narrating previously untold stories of a highly stereotyped people.
A collection of poems and prints predominately by self-identified Palestinian poets living in the United States.
An exquisite and humane collection set to leave its mark on American poetics of the body and the body politic. In Footnotes in the Order of Disappearance, Fady Joudah has written love poems to the lovely and unlovely, the loved and unloved. Here he celebrates moments of delight and awe with his wife, his mentors, his friends, and the beauty of the natural world. Yet he also finds tenderness for the other, the dead, and the disappeared, bringing together the language of medicine with the language of desire in images at once visceral and vulnerable. A symptomatic moon. A peach, quartered like a heart, and a heart, quartered like a peach. “I call the finding of certain things loss.” Joudah ...
Sarah Maguire's rich and lyrical poems have been highly praised for the ease with which they ground precise, sensual detail within the wider context of world events. In this remarkable new collection, her poems travel greater distances than ever before. The title poem laments the devastation visited upon Afghanistan following decades of war. Other poems consider the casualties of political unrest: would-be migrants in Tangiers gazing northwards at the longed-for phantasmagoria of 'Europe'; and packs of wolves on the loose in post-Soviet Kazakhstan. But there are intimate poems too, often using scientific vocabularies to offset a personal moment, as in 'Landscape, with Dead Sea' where the erosion of the poet's skin is connected to geological transformations at the earth's core.
Quiet Flows the Una is the story a man trying to overcome the personal trauma caused by the war in Bosnia and Herzegovina between 1992 and 1995. The book covers three time periods, taking in the hero's childhood before the war, the battle lines during the war, and his attempt to continue with normal life in a post-conflict society. Through his meditative prose, Sehic attempts to reconstruct the life of a man who is bipolar in nature; being both a veteran and a poet. At times, he manages to pick up the pieces of his life, but at other times it escapes him. His memories of the recent war and the killings are dirty and disgusting, while he views his present as humdrum and his identity feels inc...
In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha's abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women's lives; and Sitt Zakia, the pious midwife. In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity--both among the reluctant residents of the house and the inhabitants of the quarter at large--will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.
A collection born of polyphony and the rhythms of our cosmos—intimate in its stakes, celestial in its dreams. Tethered to Stars inhabits the deductive tongue of astronomy, the oracular throat of astrology, and the living language of loss and desire. With an analytical eye and a lyrical heart, Fady Joudah shifts deftly between the microscope, the telescope, and sometimes even the horoscope. His gaze lingers on the interior space of a lung, on a butterfly poised on a filament, on the moon temple atop Huayna Picchu, on a dismembered live oak. In each lingering, Joudah shares with readers the palimpsest of what makes us human: “We are other worms / for other silk roads.” The solemn, the hu...