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The personal adornments and objects from the burial of Queen Ahhotep belong to one of the most spectacular finds from Ancient Egypt. The history of their discovery is still a mystery. Even the identity of the queen is not fully solved.The twelve essays in this volume tackle different problems around the objects from the tomb of the queen.
15 essays on the Middle Kingdom and Second Intermediate Period of Egypt. The articles include a high number of first time published objects.
Gianluca Miniaci attempts to thoroughly reconstruct the archaeological context of funerary temple of Ramses II: the exact find spot (forgotten afterwards its discovery), its architecture, the identity of its owner(s) and recipient(s) of the assemblage of artifacts.
This volume presents a complete catalogue and typology of all known examples of the distinctive "rishi" coffins of Second Intermediate Period Egypt, anthropoid in form, with feathered decoration. Miniaci also analyses the political and cultural circumstances which lead to the emergence of this coffin design.
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
Since prehistory, ancient Egyptians crafted figurines depicting humans, animals, and other subjects. However, scholars have largely overlooked the category of clay figurines, both fired and unfired, due to the perceived lack of value of the material and variable preservation of their organic material composition. Despite this, clay figurines offer a unique glimpse into ancient peoples' ideas, gestures, and attitudes, particularly when shaped by hand. Their prevalence, malleability, and portability make them accessible to people of all economic and social backgrounds. This volume focuses on Egyptian clay figurines from the Bronze Age, ranging from approximately 2100 to 1550 BC, and also inclu...
Written artefacts are traditionally studied because of their content. Material aspects of these artefacts enrich the study of ancient history in many ways. Eleven case studies in five sections on the ancient world, including the Near East, Egypt, the Mediterranean, China and India, demonstrate the impact of a holistic approach that considers materiality and content alike. Following an introductory sketch of relevant research, the first section, 'Methodological Considerations', critically examines the limitations the evidence available imposes on our understanding. 'Early Uses of Writing' addresses material and spatial aspects of inscriptions, and their communicative functions over the textua...
This is the publication of the sarcophagus of the mayor of Thebes, Hunefer, in office under Ramses II. To date, the granite sarcophagus in the Fitzwilliam Museum in Cambridge has received little research attention despite being a large scale monument. The book provides a presentation of the sarcophagus and its place in space and time.
In 1895–96, William Matthew Flinders Petrie and James Edward Quibell discovered a shaft-tomb below the ‘Ramesseum’, the funerary temple of Ramses II at Thebes, Egypt. This is most famous for having the largest group of Middle Kingdom papyri – also known as the Ramesseum Papyri – found in a single spot together with a number of distinctive objects, such as carved ivory tusks and miniature figurines in various materials dated around XVIII century BC. Gianluca Miniaci attempts to thoroughly reconstruct the archaeological context of the tomb: the exact find spot (forgotten afterwards its discovery), its architecture, the identity of its owner(s) and recipient(s) of the assemblage of artifacts. A detailed analysis of the single artifacts – provided for the first with full color photographic records and drawings – and their network of relations gives new life to the Ramesseum assemblage after more than a century from its discovery.
Presents theoretical and comparative approaches to the consideration of evidence for deliberate fragmentation and damaging of figurines across a range of societies and periods.