Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Death of a Ventriloquist
Collects poems that explore the highs and lows of parenthood and personhood.
Deke Dangle Dive
What is a person to do upon finding out that his older brother has six months to live? What is a father to tell his young sons about the everyday violence, inequities, and injustices of the world? What is a husband to do when confronted with his domestic foibles and failings? What can poems possibly offer us in the face of unanswerable questions? Deke Dangle Dive explores illness, fatherhood, brotherhood, and masculinity through a variety of lenses, including ice hockey, contemporary culture, and the natural world. This unique collection considers how poems can speak to us and through us when all seems lost.
Pelted by Flowers
Kali Lightfoot's kindergarten teacher told her parents that Kali had "a well-developed sense of beauty and can skip with both feet." This proved prophetic for a life that has included a number of careers and passions--Lightfoot has earned a master's degree in physical education, worked as an executive and a teacher, served as a wilderness ranger, managed educational travel, and provided body-oriented psychotherapy. After gaining her sobriety and coming out as queer, Lightfoot returned to poetry at the age of sixty-five, earning her MFA at age seventy. In a debut collection of poems that favor a narrative style but also experiment successfully with poetic forms, Lightfoot writes in a voice that is by turns wistful, comedic, and grave. After a long career, she has come late and happily to a life in poetry.
Pennyweight Windows
A major collection from ...an increasingly important poet for our times.--The Antioch Review
The Poem Is You
A Guardian Best Book of the Year A Poets & Writers "Best Books for Writers" Selection A Choice Outstanding Academic Title of the Year A Harvard Book Store "Holiday Hundred" Selection A Seminary Co-op Notable Book of the Year "[Burt] approaches a stunning variety of verse with the obsessiveness and knowledge of a scholar and a fan. Burt is an ideal guide for this trip through contemporary American poetry...Burt's close readings are sharp and illuminating...The death of poetry has been proclaimed time and time again. But the sixty universes that Burt uncovers in these poems show us how alive poetry is, and how it needs to be read and appreciated for all its weirdness and cacophonous music." --Gibson Fay-LeBlanc, Bookforum "It is refreshing to find a book that gives equal weight and relish to avant-garde minimalism, New Formalism, and so many of the stations in between...Each essay is obviously a product of enjoyment, and encourages us to treat poems with the same enthusiasm--to embrace difficulty and difference in exchange for the articulate and involved pleasure that poetry, of all the arts, can best provide." --Rory Waterman, Times Literary Supplement
The Story I Want To Tell: Explorations in the Art of Writing
The Telling Room is a nonprofit writing center in Portland, Maine, dedicated to the idea that children and young adults are natural storytellers. THE STORY I WANT TO TELL pairs the work of 20 aspiring young writers—including immigrants from war-ravaged countries—with original stories, essays, and poems from Richard Blanco, Richard Russo, Elizabeth Gilbert, Dave Eggers, Lily King, Jonathan Lethem, Bill Roorbach, Monica Wood, and other top writers in a call-and-response anthology. The book’s supplemental materials make it a perfect tool for writers’ groups and writing teachers.
Breaking Bread
“More local color than a steamed lobster wearing wild blueberry bracelets, along with a mess of wistful nostalgia for any reader raised in Maine or New England.” —Portland Press Herald Nearly 70 renowned New England writers gather round the table to talk food and how it sustains us—mind, body, and soul An award-winning collection of essays by internationally recognized and beloved foodies, Breaking Bread celebrates local foods, family, and community, while exploring how what’s on our plates engages with what’s off: grief, pleasure, love, ethics, race, and class. Here, you’ll find reflections from top literary talents and food writers like Award-winning novelist Lily King on con...
Other Psalms
In his debut collection, Jordan Windholz recasts devotional poetics and traces the line between faith and its loss. Other Psalms gives voice to the skeptic who yet sings to the silence that "swells with the noise of listening." If faith is necessary, this collection suggests, it is necessary as material for its own unmaking. Without a doubt, these are poems worth believing in, announcing, as they do, a new and necessary voice in American poetry. "Ambitious and exigent, these poems are refreshingly alert to all of the formal necessities of contemporary poetry, recognizing the inadequacy of any single measure to encompass the human longing for presence."--Averill Curdy, author of Song and Error and judge
Take Heart
In this anthology, former Maine Poet Laureate Wesley McNair has collected the work of Maine poets that were featured in his popular column, "Take Heart." Featuring a poem each week, the columns ran in thirty newspapers across the state and reached more than a quarter of a million readers. These are poems about longing and pleasure and death and love, poems about natural world, poems that will inspire tears and laughter and help you carry on--poems from the heart, all penned by Maine writers, whose astonishing vision this book celebrates.
In the Permanent Collection
Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly. "These poems seem haunted by a mostly nameless melancholia. In The Permanent Collection, however, turns its grim geography of prisons, mortuaries, and tawdry suburbs into something close to classical elegy. 'In sunken rooms,' Wortman writes, 'on scratchy rugs, maybe we’ve never known happiness.' It’s that 'maybe'—the smart hedge—that renders her poems complex, often beguiling, but never without a gesture of redemption. This should be part of any serious poet’s permanent collection."— Chad Davidson, author of The Last Predicta and judge
