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Thinking about Technology
The world we make reflects the way reality is perceived, and today the world is perceived primarily in technological terms. So argues Gil Germain in Thinking About Technology: How the Technological Mind Misreads Reality. Given the connection between perception and action, or thinking and doing, Germain first highlights the central features of technological worldview to better understand the contemporary drive to master the conditions of human existence. He then boldly proposes that the technological worldview seriously misreads the nature of the world it seeks mastery over, and shows how this misinterpretation invariably leads to the technologically-related challenges currently vexing the contemporary social order, from the drift toward a posthuman future to the anti-globalization backlash. Germain closes Thinking About Technology by articulating an alternative worldview to the technological perspective and illustrating how this re-reading of reality might help us inhabit the technological landscape in ways better attuned to the human condition.
Spirits in the Material World
Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between tech...
The Ethics of Horror
The Ethics of Horror: Spectral Alterity in Twenty-First Century Horror Film examines the theme of spectral haunting in contemporary American horror cinema through the lens of ethical responsibility. Arguing that moral obligation can manifest as terror to the complacent self, the text extracts this dimension of ethics in twenty-first century horror films. Drawing on the ethical theories of Emmanuel Levinas and Jacques Derrida, which posit the asymmetrical obligation of the self to the other, Michael Burke highlights how recent horror films portray spectral antagonists as ethical others that hound protagonists and summon them to an accountability that they can neither evade nor ever completely fulfill. Burke observes the resulting destabilization of notions of ethical responsibility and justice in a variety of contemporary horror subgenres, including technohorror, haunted house and zombie films.
National Union Catalog
Includes entries for maps and atlases.
Divinization and Technology
This book offers a political anthropological discussion of subversion, exploring its imbrication with technological and divinization practices, and uncovering some of its particular effects on human existence, from prehistory until the contemporary age. Subversion is often romanticized as a means of opposing or undermining power in the name of supposedly universal values, yet techniques of subversion are actually deployed by people of all modern political and philosophical persuasions. With subversion having become a tool of mainstream ‘power’ that threatens to dominate social and political reality and so render the populace servile and subject to a generalized culture industry, Divinization and Technology examines the ways in which technology and divinization, with their efforts to unite with divine powers, can be brought together as modalities of subversion.
Lloyd’s Register of Yachts 1976
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
An Ethics Beyond
This study examines the fiction of contemporary American author George Saunders in terms of how it presents situations applicable to the chief notions of posthumanist ethics and how these conceptions concern nonhuman animals, which are prevalent in his writing. Posthumanist ethics can help us understand what is at play in Saunders’s fiction. Meanwhile, his texts can help us understand what is at stake in posthumanist ethics. This interdisciplinary project may be beneficial both to conceiving new notions of ethics that are more inclusive and, more implicitly, to understanding the relevance of Saunders’s fiction to the current American sociocultural climate.
The Barbarism of Reason
A collection of essays that traces the contemporary significance of Weber's work for the tradition of Enlightenment political thought and its critiques. It takes up the problems Weber inherited from Enlightenment political discourse, his attempts to face the disintegration of the Enlightenment political project, and engages and advances the debates over Weber's ideas that have helped shape political thought up to the present debates over postmodernism. Paper edition (unseen), $24.95. Annotation copyright by Book News, Inc., Portland, OR
Subject Catalog
None
Byron's Ghosts
In Byron's Ghosts British and American scholars join together to overturn some of the prevailing assumptions that romance scholars have made about Byron, offering a fresh new reading of his poetry. Informed by recent critical theory focused on spectrality, they look at ghosts in his work, both in the conventional sense—what Mary Shelley once described as the “true, old-fashioned, foretelling, flitting, gliding ghost”—and in a postmodern sense, one concerned with a range of phantom effects. Balancing attention on these diverse concepts of the ghost, their essays complicate the popular images of Byron as a materialist, skeptic, and anti-Romantic, revealing crucial new insights about his poetry.
