Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Music and Trance
Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context. Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ...
Rethinking the Issues: A Christian Search for Balance in Doctrine and Practice
This book is a reviewed perspective of the Christian life with an emphasis on balance. It addresses issues that conservative Christians and churches have commonly struggled with, but that may profit from a new, honest and thorough analysis. It addresses Bible interpretation, questions of 'right and left' leanings, music, church services, standards, systems of theology, and other important topics for a Christian seeking to stay in the Way of Christ with biblical balance.
Scriptures, Schools, and Forms of Practice in Daoism
Table of contents I. Daoist Scripture and Practice in Comparative Perspective A. Feldtkeller, Scriptures, Forms of Practice, and Comparative Religion P. Andersen, Scriptural Traditions West and East: Foundation of Belief vs. Frameworks for the Transmission of Methods S.R. Bokenkamp, Sackcloth and Ashes: Self and Family in the Tutan zhai J. Lagerwey, Scriptures are the Dregs of the Men of Old: Scripture and Practice in Comparative Perspective E.L. Davis, Daoist Scripture in Comparative Perspective: A Commentary on J. Lagerwey and P. Andersen II. Daoist Scripture and Practice Past and Present F.C. Reiter, The Name of the Nameless and Thunder Magic P. Nickerson, Attacking the Fortress: Prolegomenon to the Study of Ritual Efficacy in Vernacular Daoism Liu Yi, Research into the Catalogue of the Daozang of the Early Tang Dynasty: Based on Nanzhu guan ji and the Daoist Scriptures of Dunhuang Wang Zongyu, Historical Materials for the Quanzhen Daoism in the Wuxing Area V. Olles, Stars and Legends: Some Observations about Sacred Space in Daoism.
Explore Shamanism
None
Girl Making
"The resulting material challenges previous findings in those feminist and youth anthropological studies based on too narrow a concept of class, ethnicity or populist approaches to culture. Rejecting the still prevalent notion of resistance, this study reveals instead that the girls' activities are more about accommodation to the constraining givens of social life, stretching these to discover their possibilities while simultaneously working hard to remain within their parameters of safety and reassurance. In this conceptual framework popular music and other global cultural texts emerge to gain a new significance within their local settings."--BOOK JACKET.
Healing Songs
The use of music in healing from prehistoric times to the present.
Mnemodrama in Action
This book provides an introductory guide to the experiments in actor training conducted by the Italian theatre maker Alessandro Fersen in his studio laboratory in Rome between 1957 and 1983. This work resulted in the creation of Mnemodrama, a “drama of memory”. The technique was designed by Fersen to provide actors with a psychic training. By entering a state of trance, they were able to access previously hidden dimensions of their personas, using techniques inspired by ancient ritual practices. In the process of creating Mnemodrama, Fersen collaborated with practitioners in the fields of anthropology, ethnology, and psychology. The inclusion of a selection of his theatre writings reveals the scope and diversity of Fersen’s thinking and argues for this previously little-known artist to be considered one of the pioneers of mid-20th century experimental theatre practice. Through tracing one artist’s journey, this book provides new insights into the relationship between theatre and ritual.
African-Brazilian Culture and Regional Identity in Bahia, Brazil
Examines how in the middle of the twentieth century, Bahian elites began to recognize African-Bahian cultural practices as essential components of Bahian regional identity. Previously, public performances of traditionally African-Bahian practices such as capoeira, samba, and Candomblé during carnival and other popular religious festivals had been repressed in favor of more European traditions.
Stambeli
In Stambeli, Richard C. Jankowsky presents a vivid ethnographic account of the healing trance music created by the descendants of sub-Saharan slaves brought to Tunisia during the eighteenth and nineteenth centuries. Stambeli music calls upon an elaborate pantheon of sub-Saharan spirits and North African Muslim saints to heal humans through ritualized trance. Based on nearly two years of participation in the musical, ritual, and social worlds of stambeli musicians, Jankowsky’s study explores the way the music evokes the cross-cultural, migratory past of its originators and their encounters with the Arab-Islamic world in which they found themselves. Stambeli, Jankowsky avers, is thoroughly m...
Thaipusam in Malaysia
This book explores the festival of Thaipusam in terms of its own inner dynamics - the traditions and belief structures which ensure the festival's continuing relevance to Malaysian Hindus. It argues that Thaipusam reflects a growing sense of Hindu identity in Malaysia and an as yet inchoate unity. It contends that while the kavadi ritual provides profound meaning at the individual and group level, Thaipusam furnishes a public arena for and gives expression to a powerful Hindu resurgence, largely, though not exclusively, fuelled by Dravidian assertiveness. In situating the festival within the context of a Malaysia dominated by Malay and Islamic power brokers, a society in which both the Indian community and Hinduism are relegated to the margins, the book explores the festival of Thaipusam as a vehicle for mobilization of religious symbols and values which not only simultaneously articulate ethnicity and thus resist the forces which threaten cultural and religious integrity, but which also ultimately signal wider allegiances to the broader politico-cultural world of an imagined, immeasurably rich, and enduring Indo-Hindu civilization.
