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Multimedia for Cultural Heritage
This book constitutes the revised selected papers from the First International Workshop on Multimedia for Cultural Heritage, MM4CH 2011, held in Modena, Italy, on May 3, 2011. The 8 full papers and 9 poster papers included in this volume were carefully reviewed and selected from 25 submissions. In addition, the book contains a paper resuming the outcome of the discussion session. The workshop aimed on creating a profitable informal working day to discuss hot topics in multimedia, with special application to cultural heritage. The papers of the oral session are divided in topical sections named interaction and analysis and management.
Ralph Vaughan Williams
Critical annotations and supportive text will direct scholars to the most relevant studies in their discipline Multiple indices make it easy to locate items within the guide
The Media Syndrome
Over the past 45 years, award-winning sociologist David L. Altheide has illuminated how media formats and media logic affect our understanding of social issues, of how political decisions are made, and of how we relate to each other. In this masterful, summative work, Altheide describes the media syndrome: how these factors shape our expectations of, and reactions to, both public and personal events. Ideal for courses on mass media and political communication, the book provides a detailed description of the media syndrome and its impact on daily life; uses historical and contemporary examples from Watergate to Edward Snowden; includes the changes in the ecology of communication from mass media to social media and its social impact.
The Composer on Screen
This collection of new essays explores the many ways in which composers have been depicted in film and what audiences have taken away from such depictions. Beginning with some of the earliest silent film examples--including some of the first feature-length "bio-pics" ever produced--these essays range from the 12th century abbess Hildegard of Bingen to the great classical and romantic eras of Verdi, Wagner, Berlioz and Strauss, up to the 20th century's Elgar, Delius, Gershwin and Blitzstein.
Roy Wood
From the vibrant musical scene in Britain’s second largest city Birmingham, came a plethora of creative rock groups in the middle of the 1960s. Roy Wood, together with several well-known Birmingham faces, left their respective bands to form The Move and armed with Roy’s distinctive song writing style alongside the band’s unique harmonies, they became regulars on British TV’s flagship show Top of the Pops. Meanwhile, Jeff Lynne was starting to make his mark in fellow Birmingham group The Idle Race. These two brilliant songwriters were also close friends and Wood persuaded Lynne to join the Move and later a new project, The Electric Light Orchestra, before a parting of the ways led to ...
Music, Subcultures and Migration
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.
Badfinger on Track
Generally regarded as one of the most tragic tales in the history of rock music, the story of Badfinger makes for an impressively sombre Hollywood-style film script. A Welsh and Liverpudlian hybrid, the band were signed to Apple Records, became protégés of The Beatles and produced four global hit singles. Two of its members also co-wrote the now perennial pop standard ‘Without You’, covered most notably by Harry Nilsson. Yet Badfinger found themselves plagued by ruinous misfortune and through a combination of unscrupulous business management, record label neglect and just plain bad luck, the dream soon lay in tatters with the band’s story ultimately culminating in the suicides of two...
Qualitative Media Analysis
Qualitative Media Analysis
Bob Marley and Media
Bob Marley and Media: Representation and Audiences presents an analysis of how media, radio, television and print represented Bob Marley, including his popularity after his death. Mike Hajimichael examines unexplored connections between Bob Marley and media representation and the specifics of audiences, including coverage in tabloids, music magazines, and fanzines, as well as radio and television interviews. Hajimichael builds an extensive catalogue of Bob Marley’s media engagements and connects Marley to media through forms of political discourse and ideologies relevant to social change in different contexts globally, such as civil rights, anti-racism, Rastafari, and liberation movements. Given that varieties of representation exist, the book unpacks these media discourses with regard to public perceptions and key themes articulated, including mainstream versus fan-based coverage, issues of Rastafari, Black Consciousness, economic crisis, legacies of colonialism, slavery, racism, links to other music idioms, concepts of identity, and Marley’s personal relationships.
Festivals and Values
This is an original book, covering all the past areas of research anyone would need to know about festivals and ‘event-based culture’. It is based on academic research but written in a way relevant for cultural professionals – uniquely explaining the cultural power of festivals, and with original empirical research, the realities of organisation and management, and social and economic value. Dr Jonathan Vickery, Reader in Cultural Policy Studies and Director: Centre for Cultural and Media Policy Studies, Univeristy of Warwick. This book discusses music festivals in the context of the specific values they convey. Today, music festivals are a permanent feature of national, regional and l...
