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Anemone Morning and other poems
Within the artistic tapestry of Anemone Morning and other poems, poet Gopal Lahiri’s creativity flourishes, weaving together the vibrant hues of nature’s canvas, the tender whispers of love’s longing and belatedness, the pulsating rhythm of bustling cities, the nostalgic charm of diverse locales, and the intricate dance of human and abstract relationships. Each verse, a masterpiece painted with strokes of emotional resonance, invites the readers to immerse themselves in its profound beauty.
Tidal Interlude
This collection is a journey into solitude; into the poet's mindscape, profound, philosophic, yet not totally unrealistic. Many of the poems are snatched moments of time, spun into unhurried music, meditating on man, nature and fragments of cityscape - flitting effortlessly in and out of each stratum is the poetic sensibility. Tidal Interlude sums up a certain musical quality that is echoed in the fine verse that reminds one of dewy silence(s) and clear crisp twilight of big skies and empty landscapes. These poems are the reflections of an accomplished poet, who weaves a beautiful web of temporal spaces in contrasting shades of light and darkness. - Usha Kishore (Poet and Translator) Isle of Man, United Kingdom
Silent Steps
"Silent Steps" provides a comprehensive collection of poems by Gopal Lahiri. In this book we find wonderful gallery of the poems. This book possesses a breadth, a depth, and a searching wisdom which is indeed rare. Poems in "Silent Steps" are magnificent and extend the domain of sensibility for the delight, honour and benefit of human nature. Gopal Lahiri succeed in writing poems with full of grace and classic charm, even without indulging in 'parodies of middle ages'. -Dr. Santosh Kumar, Editor, Cyberwit.net Gopal Lahiri was born in 6th December, 1957 in Calcutta, India. He has been writing poetry for more than twenty five years. He writes both in English and Bengali (mother tongue).He also...
The City Speaks
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
Meditations after an Attempted Murder An Engrossing Story of Violence Survival Recovery and the Victory of Love over Darkness
Its a collection of reviews of these following books. A short Description: Book : Knife. ( Meditations after an Attempted Murder). Author: Salman Rushdie. Publisher: Penguin. Price : 699 ISBN: 9780670099580 ---------------------------------------- Life is never prosaic. It is always unpredictable. This unpredictable nature was revealed when the author was tried to be killed by a stranger. He was stabbed for fifteen times. But he survived and after a prolonged treatment was able to rediscover love and life amid the thick swath of darkness! A glib flow of thoughts accompanied by the exhaustive use of metaphorical images. A worth reading indeed! - Kunal Roy -------------------------------------...
The Gramophone Company's First Indian Recordings, 1899-1908
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Soul Reflections
As we move into the twenty-first century, many of us feel a yearning for spiritual awakening and divine guidance. We may look outside of ourselves for answers, whether to therapists, coaches or others, but ultimately the healing of soul and spirit is an inner quest. Author and transformational psychologist Dr. Marilyn Barrick takes us on a spiritual-psychological journey—the journey of the soul from heaven to earth and back again. She skillfully interweaves psychological interpretation, insights into karma and reincarnation, stories and self-help exercises. To help us on our journey, she examines the lives of real and legendary heroes in their quest for enlightenment. She shows how love and compassion can initiate a healing process for the soul. And through her inspiring meditations and practical exercises, she offers creative ways to help us transform painful experiences of the past.
THE INDIAN RADIO TIMES
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 07-01-1935 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 68 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 68-107,113-122 VOLUME NUMBER: Vol. IX, No. 2 ARTICLE: Who's Who !! ( First Radio Exhibition In India ) Document ID: IRT-1934-35(J-D)-VOL-I -2
