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Jena Romanticism and Its Appropriation of Jakob Böhme
These appropriations fall into two main groups: those pertaining to the name Böhme or a life assigned to it, and those involving concepts or images from the mystic's oeuvre. The first group constituted an attempt to co-opt the aura of sanctity attached to portrayals of the poet-prophet in order to invest Romantic Poesie with the sacral standing of religion. The second group, exemplified by Friedrich Schlegel and Friedrich Schelling, involved the borrowing and radical redefinition of a few concepts and images from Böhme's work in the hope of bridging the gap between the abstract first principle of idealism and the personal God that became an emotional necessity for both thinkers. Jena Romanticism and Its Appropriation of Jakob Böhme treats the Romantic reception of Böhme as a striking example of how the past is appropriated and rewritten in the service of self-affirmation. Analysing the need and the techniques for this self-affirmation sheds light on the nature of the self to be affirmed and on the content and underlying motivation of the Romantic program.
Music at German Courts, 1715-1760
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Signific...
Protestant Communalism in the Trans-Atlantic World, 1650–1850
This book explores the trans-Atlantic history of Protestant traditions of communalism – communities of shared property. The sixteenth-century Reformation may have destroyed monasticism in northern Europe, but Protestant Christianity has not always denied common property. Between 1650 and 1850, a range of Protestant groups adopted communal goods, frequently after crossing the Atlantic to North America: the Ephrata community, the Shakers, the Harmony Society, the Community of True Inspiration, and others. Early Mormonism also developed with a communal dimension, challenging its surrounding Protestant culture of individualism and the free market. In a series of focussed and survey studies, this book recovers the trans-Atlantic networks and narratives, ideas and influences, which shaped Protestant communalism across two centuries of early modernity.
Jan Dismas Zelenka
Jan Dismas Zelenka, the brilliant but elusive contemporary of Bach, musically served the Catholic chapel of the dazzling Dresden court during the first half of the eighteenth century. Research has uncovered biographical information, and reveals the remarkable music of a major figure of the Baroque era.
Jacob Böhme in Three Worlds
Jacob Böhme (1575–1624) has been recognized as one of the internationally most influential German authors of the Early Modern period. Even today, his writings continue to impact fields as diverse as literature, philosophy, religion and art. Yet Böhme and his reception remain understudied. As a lay author, his works were often suppressed and circulated underground. Borrowing Böhme’s idea of “three worlds” or planes of existence, this volume traces the transmission of his thought through three stations: from his first underground readers in Central and Eastern Europe, to the Netherlands, where most of his writings were first published, to Britain, where early translations made him a...
De noctu lucentibus
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