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How to Act
Internationally renowned theatre director Anthony Nicholl has travelled the globe on a life-long quest to discover the true essence of theatre. Today, he gives a masterclass, demonstrating first-hand the methods he cultivated in Africa and throughout the world. Promise, an aspiring actress, has been hand-picked to participate. What unfolds between them forces Nicholl to question all of his assumptions about his life and art. How to Act explores the contemporary realities of personal, cultural and economic exploitation through two individuals drawn together in the theatre. Both believe in truth, but each has their own version of it.
At Twilight
Publication and catalogue associated with artist Simon Starling's At Twilight project. Published by Japan Society, The Common Guild (Glasgow), and Dent-de Leone on the occasion of the exhibitions at The Common Guild (July 2 to September 4, 2016) and Japan Society (October 14, 2016 to January 15, 2017).
Killing Time
A co production between Dundee Contemporary Arts and Suspect Culture Devised specifically for DCAs galleries, Killing Time brings together elements of both theatre and visual art to dramatic effect. Realised by artist Graham Fagen and theatre director Graham Eatough, the project is the result of a close artistic and cultural collaboration over a two year period. Developed through research, discussion and experimentation during residencies at Cove Park (www.covepark.org), the outcome is an exciting and extraordinary fusion of performance, sculpture, installation and event. The project, made up of two parts, contains both live and recorded performances which unfold within various scenarios created in the gallery.
Lanark
This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.
Modernism and Scottish Theatre since 1969
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
The Suspect Culture Book
Suspect Culture was Scotland’s leading experimental theatre company between 1993 and 2009. Based in Glasgow, it was formed of a core group of associate artists who collaborated in making groundbreaking, high quality new work which gained an international reputation. Over the course of its 16-year history the company worked with some of the most respected artists and organizations in the UK and internationally, and made a significant contribution to the British theatre scene of the 1990s and early 2000s. Described by the Scotsman on Sunday as ‘Scottish theatre’s major creative powerhouse’ and by The Times as ‘the most adventurous, most in-tune-with-the-times theatre company in Brita...
The Oxford Handbook of Global Modernisms
The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.
Theorising the Artist Interview
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
British Theatre Companies: 1995-2014
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies." --Publisher.
