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The Leaders Are Coming!
A comparison of Islamic, Jewish, and Christian views of the final days with a possible scenario for America, Europe and the Middle East.. This book, which has been requested by many, addresses important relevant themes in depth and provides a valuable resource with extensive footnotes. Readers will enjoy the inclusion of a novel format along with treatment of a difficult subject which makes the book readable and enjoyable. The use of personal names or names of places in this book is not intended to reflect endorsement by specific groups, towns, or municipalities. Names of persons are not to be identified with any specific parties or individuals. Appreciation is expressed for information obtained from a variety of online encyclopedias, and mention is made here of the same including but not limited to the Catholic Encyclopedia, Wikipedia, and Encyclopedia Britannica. Graphics and artwork utilized are taken from public domain photos or adapted by professional staff. Nebuchadnezzar's statue is believed to be in the public domain and is taken from the Ken Raggio.com website.
George Lambert (1873-1930) Catalogue Raisonné
portrait of Walter Baldwin Spencer by G.W. Lambert, listed as item P376 in the catalogue.
Herd Register
None
Constant Lambert
"To the economist and ballet enthusiast John Maynard Keynes he was potentially the most brilliant man he'd ever met; to Dame Ninette de Valois he was the greatest ballet conductor and advisor this country has ever had; to the composer Denis ApIvor he was the greatest, mostr lovable, and most entertaining personality of the musical world; whilst to the dance critic Clement Crisp he was quite simply a musician of genius. Yet sixty years after his ... death Constant Lambert is little known today. As a composer he is remembered for his jazz-inspired The Rio Grande but little more, and for a man who ... devoted the graeter part of his life to the establishment of English ballet his work is largely unrecognized today. [This book] looks not only at his music but at his journalism, his talks for the BBC, his championing of jazz (in particular, Duke Ellington), and, more privately - his longstanding affair with Margot Fonteyn. ..."--Book jacket.
George Lambert, 1873-1930
In this long-awaited monograph art historian Anne Gray draws upon a mass of documents to reveal Lambert's considerable achievements in his art and his life. Biographical information is integrated with detailed analysis of the works of art, many of which are now regarded as major examples of early twentieth-century art. Gray traces Lambert's emergence from a rural environment and recounts how Lambert's exposure to Paris, and to the art of the British moderns, ran parallel to an increasingly complex personal life. A sympathetic account is given of his marriage to Amy Lambert, his relationship with Thea Proctor, and his many friendships with artists and local eccentrics. Above all, Lambert is revealed as an artist who worked at his art with unfailing dedication, frequently pushing himself to the point of exhaustion, and finally to death.
