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Introduction by Thomas Lawson, Susan Morgan.
"Published to accompany an exhibition of the same name at the Art Institute of Chicago, Oct. 22, 2011-Jan. 15, 2012 and the Nelson-Atkins Museum of Art, Apr. 12-Aug. 26, 2012"--T.p. verso.
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Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
Flevoland has a unique collection of Land Art, including De Groene Kathedraal by Marinus Boezem, Observatorium by Robert Morris and Riff, PD#18245 by Bob Gramsma.0These Land Art works once stood in the empty polder, but are now part of a dynamic landscape transformation. Views on art and its social significance have also changed in the five decades this book covers. This raises questions about the preservation of the works and of the collection as a whole. 0'Land Art Live. The Flevoland Collection' sheds light on the Land Art in Flevoland. A younger generation of artists was asked to use performances to connect with the original meaning of the Land Art works. In addition, experts in the field of visual art, heritage and landscape provide ideas with which the future of this exceptional collection and the landscape can be shaped. Land Art Live can also be used as a guide when visiting this extraordinary open-air museum.
Hard to come by, practical, hands-on knowledge for the biological farmer on growing healthy corn ¿ America¿s top cash crop. From selecting the right fertilizers to understanding open-pollinated benefits, this book touches on a wide array of topics.
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Explores the indomitable spirit of three "Lost boys" from the Sudan who are forced to leave their homeland because of a civil war. They triumph over adversities and relocate to the U.S., where they remain deeply committed to helping the friends and family they left behind.
Nicolás Guagnini: Theatre of the Self is a hybrid catalogue-reader based on the exhibition of the multi-threaded performances of Buenos Aires-born New York-based Guagnini. Many of these works, spanning from 2005 until 2019, have never been seen before or have not been seen since their original live presentation. Raised in Argentina during the "Dirty War" and violent military dictatorship, Guagnini moved to New York in the late 1990s and co-founded the film production company Union Gaucha Productions with Karin Schneider in 1997. In 2005 Guagnini became co-founder of Orchard Gallery, an artist cooperative based on the Lower East Side. The work in Theatre of the Self is informed in part by au...