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Il concetto di progresso nella storia
  • Language: it
  • Pages: 149

Il concetto di progresso nella storia

  • Type: Book
  • -
  • Published: 1916*
  • -
  • Publisher: Unknown

None

The Invention of the Sonnet, and Other Studies in Italian Literature
  • Language: en
  • Pages: 380
General Catalogue of Printed Books
  • Language: en
  • Pages: 624

General Catalogue of Printed Books

  • Type: Book
  • -
  • Published: 1966
  • -
  • Publisher: Unknown

None

General Catalogue of Printed Books
  • Language: en
  • Pages: 640

General Catalogue of Printed Books

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

None

Bibliografia di Giuseppe Parini
  • Language: en

Bibliografia di Giuseppe Parini

  • Type: Book
  • -
  • Published: 1929
  • -
  • Publisher: Unknown

None

The Modern Language Teacher's Handbook
  • Language: en
  • Pages: 728

The Modern Language Teacher's Handbook

  • Type: Book
  • -
  • Published: 1935
  • -
  • Publisher: Unknown

None

Remembering the Renaissance
  • Language: en
  • Pages: 266

Remembering the Renaissance

  • Type: Book
  • -
  • Published: 1998
  • -
  • Publisher: BRILL

This study, drawing extensively upon manuscript sources, provides the first comprehensive account of how Rome's humanist community coped with the 1527 sack of the city, an event traditionally viewed as signaling the transition from the Renaissance to the Catholic Reformation.

Italy’s Eighteenth Century
  • Language: en
  • Pages: 505

Italy’s Eighteenth Century

In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.