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Miles Davis: New Research on Miles Davis & His Circle
Masaya Yamaguchi is Japanese-born musician and educator, who lives in the US. This book grew out of research Yamaguchi did on Miles' autobiography, which was written by Quincy Troupe from hours of transcribed interviews with Miles. Yamaguchi obtained 1200 pages of the transcripts and has meticulously and painstakingly researched and checked the contents. He finds various errors and anomalies, and corrects the information with strong evidence. The book is full of images of transcript pages (which include content not seen in the autobiography), letters and memos. There's plenty of stuff about Miles'1980s music, especially on the guitarists Miles used during this era (thelastmiles.com/library_milesdavis_4/).
Last Stop, Carnegie Hall
William Vacchiano (1912-2005) was principal trumpet with the New York Philharmonic from 1942 to 1973, and taught at Juilliard, the Manhattan School of Music, and the Mannes College of Music. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, and Leonard Bernstein and played in the world premieres of pieces by such composers as Vaughan Williams, Copland, and Barber.
East Meets West
The waning years of the Russian Empire witnessed the development of a rich tradition of trumpet playing. Noted trumpet scholar and performer Edward Tarr's latest book illuminates this tradition, which is little known in the West. Tarr's extensive research in hitherto inaccessible Russian archives has uncovered many documents that illuminate the careers of noted performers. These documents are reproduced here for the first time. A concise chronological summary of Russian political and musical developments provides an effective backdrop for this inventory of trumpeters. The author ably demonstrates how profoundly Russian trumpet-playing and pedagogy were influenced by emigrées, particularly f...
That St. Louis Thing, Vol. 2: An American Story of Roots, Rhythm and Race
That St. Louis Thing is an American story of music, race relations and baseball. Here is over 100 years of the cityOs famed musical development -- blues, jazz and rock -- placed in the context of its civil rights movement and its political and ecomomic power. Here, too, are the cityOs people brought alive from its foundation to the racial conflicts in Ferguson in 2014. The panorama of the city presents an often overlooked gem, music that goes far beyond famed artists such as Scott Joplin, Miles Davis and Tina Turner. The city is also the scene of a historic civil rights movement that remained important from its early beginnings into the twenty-first century. And here, too, are the sounds of the crack of the bat during a century-long love affair with baseball."
The Horn Call
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The Karl Muck Scandal
The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States. BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine. 2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation. 2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest. 2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. One of the cherished na...
German Anglophobia and the Great War, 1914-1918
This volume focuses on the extremity of anti-English feeling in Germany in the early years of the Great War, and on the attempt by writers, propagandists and cartoonists to redefine Britain as the chief enemy of the people and their cultural heritage.
ITG Journal
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So What
Miles Davis was one of the crucial influences in the development of modern jazz. His Kind of Blue is an automatic inclusion in any critic's list of the great jazz albums, the one record people who own no other jazz records possess, and still sells 250,000 copies a year in the US alone. But Miles regularly changed styles, leaving his inimitable impact on many forms of jazz, whether he created them or simply developed the work of others, from modal jazz to be-bop, his seminal quintet and his big-band work, to the jazz funk experiments of later years. Miles not only knew and worked with everyone who was anyone in jazz, from Coltrane to Monk, he was a friend of Sartre's, lover of Juliette Greco ...
