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Early Modern Thesis Prints in the Southern Netherlands
"In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses. Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought"--
Commonwealth Universities Yearbook
A directory to the universities of the Commonwealth and the handbook of their association.
Meditations on the Life of Christ
"One of the most important devotional works of the Middle Ages and Renaissance, this book provided a major source for both visual and literary artists, as well as for preachers, contemplatives, and believes. The amazing number of manuscript sources attests to its far-reaching influence. Gospel accounts of Christ's life are supplemented by apocryphal material from a variety of sources, to provide in an inviting style a highly readable biography. The translation brings to life the pathos, humor, and wisdom of Caulibu's book while maintaining impeccable scholarship. The volume is further enhanced by eight full-color plates selected from the miniatures in MS 410, Corpus Christi College, Oxford."
Saracens, Demons, & Jews
These images, which reached a broad and socially varied audience across Western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.".
Legend, Myth, and Magic in the Image of the Artist
"This is the first English translation of a brief, scholarly, and brilliantly original work which sets out to examine the links between the legend of the artist, in all cultures, and what E.H. Gombrich, in an introductory essay, calls 'certain invariant traits of the human psyche.'"--Denis Thomas, Journal of the Royal Society of Arts "This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation. It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields.... A delightful and unrivalled study."--Howard Hibbard "Thought provoking and valuable.... To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation."--Albert Rothenberg, American Journal of Psychiatry
The Gothic Idol
By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues, and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds new light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the new Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
Virtue Politics
James Hankins challenges the view that the Renaissance was the seedbed of modern republicanism, with Machiavelli as exemplary thinker. What most concerned Renaissance political theorists, Hankins contends, was not reforming laws but shaping citizens. To secure the social good, they fostered virtue through a new program of education: the humanities.
Skulpturensammlung und Museum fur Byzantinische Kunst
A personal perspective on the director's favourite works from the collections of the prestigious Skulpturensammlung und Museum fur Byzantinische Kunst. The Skulpturensammlung und Museum für Byzantinische Kunst is housed in the Bode-Museum, part of the ensemble of prestigious museums on the Museuminsel Berlin. Skulpturensammlung is one of the largest collections of ancient sculpture in the world (early Middle Ages to the late eighteenth century), with works from the German-speaking countries, France, the Low Countries, Italy and Spain. The collection includes works by legendary sculptors such as Donatello, Tilman Riemenschneider, Giovanni Lorenzo Bernini and Andreas Schlüter. The Museum für Byzantinische Kunst is a collection of Late Antique sarcophagi and sculpture from the Eastern Roman Empire, and ivory carvings from post-pharaonic, early Byzantine Egypt. The works presented in this volume are amongst the most prized by the museum's director, who combines expertise with a refreshingly personal perspective to invite the reader to experience them through new eyes.
A Jewish Jesuit in the Eastern Mediterranean
Recounts a Jewish-born Catholic priest's effort to prove he was Catholic to anyone who doubted him, including himself.
