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Gérard Sendrey
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Sendrey, Gerard
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
The History of Pre-Diction
Phil Demise Smith and Grard Sendrey have been nurturing their personal and professional relationship for 15 years. They share space on both sides of the artistic fence as organizers, representatives and creators of art, simultaneously. Grard founded and was director of the Muse Cration Franche in Bgles, France while becoming one of Europes most prolific and sought after outsider artists. His recent retrospective in September 2010 exposed his many and varied styles and accompanying this exhibition, a beautiful catalogue was produced (available from Muse Cration Franche). Phil is a well-published poet, songwriter - performing musician, painter and artist representative (one of Grards represent...
Dossier d'artiste
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Outsider Art
Outsider Art is the work produced outside the mainstream of modern art by self-taught, untrained visionaries, spiritualists, recluses, folk artists, psychiatric patients, prisoners and others beyond the imposed margins of society and the art market. Coined by Roger Cardinal in 1972, the term in English derived from Jean Dubuffets Art Brut literally raw art, uncooked by culture, unaffected by fashion, unmoved by artistic standards. In this comprehensive and indispensable guide, Colin Rhodes surveys the history and reception of Outsider Art first championed by Dubuffet and the Surrealists, now appreciated by a wider public while providing fresh insights into the achievements of both major figu...
Gérard Sendrey
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Ceux-ci, cela
« Ceux-ci/cela ». Les gens, les choses. Contrairement à ce qu'on pourrait croire, pas si facile d'en bien parler. (Lu récemment un ancien obscurantiste des années soixante-dix, se mettant au "tel quellisme", je veux dire au « décrit tel quel », au simplisme, au terre à terre. Ah ! le vent de la mode !) Mais ceux qui ont toujours pensé que la poésie avait affaire avec le réel, savent qu'il ne s'agit pas de la décrire bêtement, la réalité, de laisser la caméra tourner toute seule ; mais, au contraire, d'effectuer le bon cadrage, discret, efficace. Il le sait, lui, Jean-Louis Massot, et donc il sait nous apprendre à regarder les mille et un spectacles et événements du monde, absurdes, touchants, imprévus, banals, effarants, mystérieux, emplis de multiples petits gouffres, comme dans les dessins alvéolés de Gérard Sendrey. Et, après lecture de ces textes, vous verrez que « ceux-ci, cela », vous les regarderez autrement. Car : « Le jour se lève/sur les lumières de leur ville./ Les vraies : celles des yeux qui s'ouvrent. » Jean-Claude Martin
