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Chaucer and Dissimilarity
It looks out, in a groundbreaking study, to the use of similes in other late-medieval poems."--BOOK JACKET.
The Disenchanted Self
The question of the "dramatic principle" in the Canterbury Tales, of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination. Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's dise...
Chaucer's Wife of Bath's Prologue and Tale
The Chaucer Bibliography series aims to provide annotated bibliographies for all of Chaucer's work. This book summarizes 20th-century commentaries on Chaucer's "Wife of Bath's Prologue" and "Tale."
Chaucer and the Subject of History
Chaucer's interest in individuality was strikingly modern. He was aware of the pressures on individuality exerted by the past and by society - by history. Chaucer investigated not just the idea of history but the historical world intimately related to his own political and literary career. This book has shaped the way that Chaucer is read.
Chaucer's Narrators
The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Develop...
Chaucer's General Prologue to the Canterbury Tales
This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue.
Medieval Texts and Contemporary Readers
This collection brings together twelve original essays by prominent medievalists which address problems posed by contemporary literary and cultural theory. Taken together, the essays call into question the view that contemporary criticism has little to say about medieval literature and that medieval studies should remain isolated from the issues of contemporary criticism. The contributors apply a variety of critical methodologies to explore issues in textuality, intertextuality, and the role of the reader in works of medieval writers as diverse as Chaucer, Dante, Christine de Pizan, Anselm, and Talavera. Incorporating critical approaches such as deconstructionism, Marxism, feminism, new-historicism and reader-response criticism, the essays place these writers and their texts within a wider realm of cultural reference that embraces philosophy, religion, rhetoric, history, politics, and anthropology.
The Cambridge Companion to Medieval Romance
This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.
Canon, Period, and the Poetry of Charles of Orleans
A literary and historical study of the first single-author book of lyric poetry in English
