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Among the many studies on German National Socialism that have appeared in the last forty to fifty years, one aspect has seldom been treated in detail: the cultural representations of Adolf Hitler from the late 1920s to the present. This book focuses on the image of Hitler in literature, photography, historiography, film, philosophy, theatre, and comic books by major artists and scholars such as Ernst Ottwalt, Heinrich Hoffmann, Bertolt Brecht, John Hearfield, Leni Riefenstahl, Charles Chaplin, Theodor W. Adorno, Heiner Muller, and George Tabori.
This book focuses on one of the most visible and important consequences of total defeat in postwar Germany: the return to East and West Germany of the two million German soldiers and POWs who spent an extended period in Soviet captivity. These former prisoners made up a unique segment of German society. They were both soldiers in the war of racial annihilation on the Eastern front and then suffered extensive hardship and deprivation themselves as prisoners of war. The book examines the lingering consequences of the soldiers' return and explores returnees' own responses to a radically changed and divided homeland. Historian Frank Biess traces the origins of the postwar period to the last year...
The Alps have exerted a hold over the German cultural imagination throughout the modern period, enthralling writers, artists, philosophers, scientists, and tourists alike. The Draw of the Alps interrogates the dynamics of this fascination. Though philosophical and aesthetic responses to Alpine space have shifted over time, the Alps continue to captivate at an individual and collective level. This has resulted in myriad cultural engagements with Alpine space, as this interdisciplinary volume attests. Literature, photography, and philosophy continue to engage with the Alps as a place in which humans pursue their cognitive and aesthetic limits. At the same time, individuals engage physically wi...
Visitor Experience at Holocaust Memorials and Museums is the first volume to offer comprehensive insights into visitor reactions to a wide range of museum exhibitions, memorials, and memory sites. Drawing exclusively upon empirical research, chapters within the book offer critical insights about visitor experience at museums and memory sites in the United States, Poland, Austria, Germany, France, the UK, Norway, Hungary, Australia, and Israel. The contributions to the volume explore visitor experience in all its complexity and argue that visitors are more than just "learners". Approaching visitor experience as a multidimensional phenomenon, the book positions visitor experience within a dive...
Published in Association with the German Historical Institute, Washington, D.C. Based on careful, intensive research in primary sources, many of these essays break new ground in our understanding of a crucial and tumultuous period. The contributors, drawn from both sides of the Atlantic, offer an in-depth analysis of how the collective memory of Nazism and the Holocaust influenced, and was influenced by, politics and culture in West Germany in the 1960s. The contributions address a wide variety of issues, including prosecution for war crimes, restitution, immigration policy, health policy, reform of the police, German relations with Israel and the United States, nuclear non-proliferation, and, of course, student politics and the New Left protest movement.
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.
Everyday life in the East German Socialist Unity Party revolved heavily around maintaining the “party line” in all areas of society, whether through direct authority or corruption. Spanning a long period of the GDR’s history, from 1946 through 1989, Rüdiger Bergien presents the first study that examines the complexities of the central party’s communist apparatus. He focuses on their role as ideological watchdogs, as they fostered an underbelly and “inner life” for their employees to integrate the party’s pillars throughout East German society. Inside Party Headquarters reviews not only the party’s modes power and state interaction, but also the processes of negotiation and disputation preceding formal Politburo decisions, advancing the available detail and discourse surrounding this formative and volatile stretch of German history.
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Explains why the liberalism of a group of elites, the owners of Berlin's grand hotels, gave way to a more aggressive nationalism and conservatism after World War I – a shift which contributed directly to Hitler's rise to power. This title is also available as open access on Cambridge Core.