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A series of short stories for younger readers from children's fantasy
"Ocean of Sound" begins in 1889 at the Paris Exposition when Debussy first heard Javanese music performed. A culture absorbed in perfume, light and ambient sound developed in response to the intangibility of 20th century communications. David Toop traces the evolution of this culture, through Erik Satie to the Velvet Undergound; Miles Davis to Jimi Hendrix. David Toop, who lives in London, is a writer, musician and recording artist. His other books are "Rap Attack 3 "and "Exotica,"
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In 1914 Britain was home to at least 10,000 black Britons, many of African and West Indian heritage. Most of them were loyal to the 'mother country' when the First World War broke out. Despite being discouraged from serving in the British Army, men managed to join all branches of the forces, while black communities contributed to the war effort on the home front. By 1918 it is estimated that Britain's black population had trebled to 30,000, as many black servicemen who had fought for Britain decided to make it their home. It was far from a happy ending, however, as they and their families often came under attack from white ex-servicemen and civilians increasingly resentful of their presence. With first-hand accounts and original photographs, Black Poppies is the essential guide to the military and civilian wartime experiences of black men and women, from the trenches to the music halls. It is intended as a companion to Stephen Bourne's previous books published by The History Press: Mother Country: Britain's Black Community on the Home Front 1939–45 and The Motherland Calls: Britain's Black Servicemen and Women 1939–45.
As the Allied troops stormed the D-Day beaches, the Vercors rose up to fight in a planned rearguard action. It was to prove not only the largest Resistance action of the war but also the most brutal crushing of resistance forces in Western Europe. The tragedy drew the attention of the Allied war effort and placed the Vercors deep into the history of modern France which resonates still in the country's daily life and politics.
Madame Rachel had everything: a Mayfair address, the title of 'purveyor to Her Majesty the Queen', a shop full of exotic, expensive creams and potions. Her clientele were aristocratic, rich - and gullible. This is the true story of a woman who began life as a poor fish fryer in a disease-ridden, grubby corner of Victorian London. She ended up with a shop in New Bond Street, where her wealthy clients came in their droves, lured by the promise of eternal beauty. What they found there was a con-woman and fraudster who made a career out of lies, treachery and the desperate hopes of women wanting to be 'beautiful for ever'. Beautiful For Ever also tells of the beginnings of the cosmetics industry...
This book borrows from a range of theories about creativity and about learning, while remaining largely practical in focus. It contains numerous examples for teachers of how to apply ideas about creativity in the classroom. In doing so, it attempts to maintain the subject's core identity while also keeping abreast of contemporary social, pedagogical and technological developments. The result is a refreshing challenge to some of the more mundane approaches to English teaching on offer in an age focussed excessively on standardisation and teaching to tests.