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Performing for the Don
This volume examines the intersection of political power and religion during the presidency of Donald Trump through an examination of performance. This study begins with an examination of white evangelical Christian support for Trump through readings of the 2018 film The Trump Prophecy, based on a book of the same name, and The Faith of Donald J. Trump, a "spiritual biography" of the former president by veteran Christian reporters David Brody and Scott Lamb. White evangelicals Christianized Trump during his run for office in 2016 and Trump’s ascension to the presidency broke down barriers between church and state in service of dominionistic Christian aims. This exploration then looks at th...
The Boat in the Tiger Suit
Synopsis: Set on two different boats, The Boat in the Tiger Suit begins at Herman’s funeral, who left his family to join the army (and hide from his wife in the process). As Herman’s wife searches for reasons to make her adult children stay, her son Rene slips off to seduce Gene, the solider who accompanies Herman’s casket. Meanwhile, Rene’s sister April attempts to free herself from longtime partner and high school sweetheart, Dave. Tacit allegiances are formed, tried, and tested as the quartet of remaining characters stare into an uncertain future of turbulent waters which may contain tigers. Cast Size: 4 Males, 2 Females
Preaching to Convert
Preaching to Convert offers an intriguing new perspective on the outreach strategies of U.S. evangelicals. Author John Fletcher frames these activities, from door-to-door proselytizing to the spirited sermons of superstar televangelists, as examples of activist performance, broadly defined here as acts performed before an audience in the hopes of changing hearts and minds. Most writing about activist performance has focused on left-progressive causes, events, and actors, and if evangelicals have appeared at all, they often appear as one-dimensional forces of ignorance or bigotry against which brave (left-leaning) activists must fight. Preaching to Convert argues against such a constricted vi...
The City We Make Together
He began attending local government meetings across the country, interviewing council members, staffers, activists and other citizens, using an ethnographic method. Out of this initial investigation, Landsman and director Mallory Catlett developed a participatory theater piece called City Council Meeting in five US cities-from New York City to Houston, Keene New Hampshire to San Francisco. They worked with local partners to create endings in each city about issues on the ground and trained local staffers to take audiences through the experience. Along the way they got some things right, made mistakes and learned ways to approach community engagement across geographic, racial and class lines. Five years later Catlett and Landsman returned to local partners in each city to reflect together on what the impact of the project was, how it could have been better, and what they got right. .
Decentered Playwriting
Decentered Playwriting investigates new and alternative strategies for dramatic writing that incorporate non-Western, Indigenous, and underrepresented storytelling techniques and traditions while deepening a creative practice that decenters hegemonic methods. A collection of short essays and exercises by leading teaching artists, playwrights, and academics in the fields of playwriting and dramaturgy, this book focuses on reimagining pedagogical techniques by introducing playwrights to new storytelling methods, traditions, and ways of studying, and teaching diverse narratological practices. This is a vital and invaluable book for anyone teaching or studying playwriting, dramatic structure, storytelling at advanced undergraduate and graduate levels, or as part of their own professional practice.
PALABRAS
PALABRAS: Dispatches from THE FESTIVAL DE LA PALABRA features short stories by authors, including Junot Diaz, Aurora Arias, and Mayra Santos Febres, from the Caribbean, Central and Latin America, Spain and Catalonia. Many of the stories in this collection are translated into English for the first time. Edited by Yamile Silva and Hank Willenbrink, this collection of new short fiction displays aesthetically diverse and remarkable voices from the Americas and Iberia.
A Great Disorder
Longlisted for the 2024 National Book Award in Nonfiction “Sweeping...A new way to make sense not only of the past, but of the contemporary culture wars.” —New York Times Book Review “A provocative culmination of Slotkin’s field-defining arguments on the place of violence in creating America.” —Kathleen Belew “Brisk, bold, and thought-provoking.” —Daniel Lazare, Arts Fuse “[An] exciting and detailed new decoder ring of a book...While it is usually hyperbolic to claim that a book will change your life, this one may well have a permanent effect on how you consume and think about American political news.” —Tom Zoellner, Los Angeles Review of Books Red America and Blue ...
Burning Man
This book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Black in Print
Black in Print examines the role of narrative, from traditional writing to new media, in conversations about race and belonging in the isthmus. It argues that the production, circulation, and consumption of stories has led to a trans-isthmian imaginary that splits the region along racial and geographic lines into a white-mestizo Pacific coast, an Indigenous core, and a Black Caribbean. Across five chapters, Jennifer Carolina Gómez Menjívar identifies a series of key moments in the history of the development of this imaginary: Independence, Intervention, Cold-War, Post-Revolutionary, and Digital Age. Gómez Menjívar's analysis ranges from literary beacons such as Rubén Darío and Miguel Ángel Asturias to less studied intellectuals such as Wingston González and Carl Rigby. The result is a fresh approach to race, the region, and its literature. Black in Print understands Central American Blackness as a set of shifting coordinates plotted on the axes of language, geography, and time as it moves through print media.
An Actor Survives
This book focuses on the analysis and interpretation of the first volume of the book An Actor’s Work by Konstantin Stanislavsky. This volume is the only part of his planned major work on theatre art that he was able to finish and authorise before his death. Its highly edited variant has long been known as ‘An Actor Prepares’ in the English-speaking world. Tomasz Kubikowski explores Stanislavsky’s material not only as a handbook of acting but also as a philosophical testament of Stanislavsky, in which he attempts to contain his most essential experiences and reflections. This book explores the underlying theme of ‘survival’ in its various meanings, from professional to existential; and the mechanisms and actions we attempt to survive. This study will be of great interest to students and scholars in theatre and performance studies.
