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The World of Malgudi
This Is R.K. Narayan S Classic Chronicle Of The Adventures Of A Boy Named Swami, And His Friends Rajam And Mani, In A Sleepy And Picturesque South Indian Town Called Malgudi. Swami S Days Are Full Of Action-When He Is Not Creating A Ruckus In The Classroom Or Preparing In His Inimitable Way For Exams, He S Trying To Acquire A Hoop From The Coachman S Son To Run Down The Malgudi Streets, Playing Tricks On His Grandmother, Or Stoning The School Windows, Inspired By A Swadeshi Demonstration. But The Greatest Feat Of Swami And His Friends Lies In Putting Together A Cricket Team For The Mcc (The Malgudi Cricket Club) And Challenging The Neighbouring Young Men S Union To A Match. Just Before The M...
Life Drawing
Deleuze's publications have attracted enormous attention, but scant attention has been paid to the existential relevance of Deleuze's writings. In the lineage of Nietzsche, Life Drawing develops a fully affirmative Deleuzean aesthetics of existence.For Foucault and Nehamas, the challenge of an aesthetics of existence is to make your life, in one way or another, a work of art. In contrast, Bearn argues that art is too narrow a concept to guide this kind of existential project. He turns instead to the more generous notion of beauty, but he argues that the philosophical tradition has mostly misconceived beauty in terms of perfection. Heraclitus and Kant are well-known exceptions to this mistake, and Bearn suggests that because Heraclitean becoming is beyond conceptual characterization, it promises a sensualized experience akin to what Kant called free beauty. In this new aesthetics of existence, the challengeis to become beautiful by releasing a Deleuzean becoming: becoming becoming. Bearn's readings of philosophical texts--by Wittgenstein, Derrida, Plato, and others--will be of interest in their own right.
German Literature, Jewish Critics
Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in the American and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of the its Center for German and European St...
After Unity
In order to probe this new uncertainty and to explore the consequences of unification for German politics, history and culture, political scientists, historians and literary scholars have come together in this volume to focus on the main issues of the current debate such as the shadow of the Nazi past, the threat of xenophobia, new regional tensions, persistent problems of gender relations, and the future shape of Europe.
Making an Entrance
How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche’s Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful—or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present.
