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Lewis’ A VOCABULARY CONCORDANCE OF HARRIET E. WILSON’S NOVEL, OUR NIG (2021) tracks empathy featured in Harriet E. Wilson’s 1859 novel, OUR NIG; or, Sketches from the Life of a Free Black. Wilson’s main character, Mag Smith, presents behaviors that display the full humanity of African Americans. Lewis’ CONCORDANCE . . . catalogues the biased interactions among comingled populations. Lewis’ CONCORDANCE . . . identifies Wilson’s biased interactions imposed upon African American characters. The word, “OUR . . .” in Wilson’s title, embraces readers as family members who accept the main characters’ values as their own. Wilson’s subtlety engages topics about Earth’s natural environment, family relations, societal attitudes, cross-cultural exchanges, moral/corrupt practices, finances, entertainments, and personal struggles. Heading each of OUR NIG’s chapters, Wilson’s quotations challenge contemporary racial intolerance and gender bias. Overall, Wilson’s point-counterpoint style denounces ethnic degradations while claiming liberation for the Statue of Liberty’s 1886 “huddled masses yearning to breathe free.”
Addressed to all readers of Our Nig, from professional scholars of African American writing through to a more general readership, this book explores both Our Nig’s key cultural contexts and its historical and literary significance as a narrative. Harriet E. Wilson’s Our Nig (1859) is a startling tale of the mistreatment of a young African American mulatto woman, Frado, living in New England at a time when slavery, though abolished in the North, still existed in the South. Frado, a Northern ‘free black’, yet treated as badly as many Southern slaves of the time, is unforgettably portrayed as experiencing and resisting vicious mistreatment. To achieve this disturbing portrait, Harriet W...
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
Considered the first novel by a female African-American, Our Nig was ignored upon first publication in 1859 and lost for more than 100 years. The novel achieved national attention when it was rediscovered and reprinted in 1983. Our Nig tells the story of Frado growing up as an indentured servant in the antebellum northern United States. Like Our Nig number of novels and other works of fiction of the period were in some part based on real-life events, including Fanny Fern's Ruth Hall; Louisa May Alcott's Little Women; or even Hannah Webster Foster's The Coquette.
Argues that Black literature cannot be characterized strictly as social realism, and offers a textual analysis of works by eighteenth- to twentieth-century Black writers.
Traces the connection between slavery and the way in which black women fiction writers depict female characters and address gender issues, particularly maternity.
Nineteenth-century American women’s culture was immersed in religious experience and female authors of the era employed representations of faith to various cultural ends. Focusing primarily on non-canonical texts, this collection explores the diversity of religious discourse in nineteenth-century women’s literature. The contributors examine fiction, political writings, poetry, and memoirs by professional authors, social activists, and women of faith, including Elizabeth Stuart Phelps, Angelina and Sarah Grimké, Louisa May Alcott, Rebecca Harding Davis, Harriet E. Wilson, Sarah Piatt, Julia Ward Howe, Julia A. J. Foote, Lucy Mack Smith, Rebecca Cox Jackson, and Fanny Newell. Embracing the complexities of lived religion in women’s culture-both its repressive and its revolutionary potential-Nineteenth-Century American Women Write Religion articulates how American women writers adopted the language of religious sentiment for their own cultural, political, or spiritual ends.
This carefully crafted ebook: "Slavery: Not Forgiven, Never Forgotten" is formatted for your eReader with a functional and detailed table of contents: Memoirs Narrative of Frederick Douglass 12 Years a Slave The Underground Railroad Up From Slavery Willie Lynch Letter Confessions of Nat Turner Narrative of Sojourner Truth Incidents in the Life of a Slave Girl History of Mary Prince Running a Thousand Miles for Freedom Thirty Years a Slave Narrative of the Life of J. D. Green The Life of Olaudah Equiano Behind The Scenes Harriet: The Moses of Her People Father Henson's Story of His Own Life 50 Years in Chains Twenty-Two Years a Slave and Forty Years a Freeman Narrative of the Life and Adventu...
New Hampshire's literary roots are long and rich, with names like Robert Frost, Celia Thaxter and Willa Cather beckoning book lovers. Travel to Cornish and discover the connections between one of the state's premier novelists, Winston Churchill, and the British statesman of the same name. Experience north country beauty in Littleton, birthplace of Eleanor Porter, who introduced a new word into the English language. Learn how Newport native Sarah Josepha Hale became one of the most influential writers of her time. Follow young black novelist Harriet Wilson from Milford and the belated recognition of her groundbreaking book. Local author Gary Crooker reveals the stories and places behind these and many more lettered luminaries.
From the award-winning author of Dressing Up, a riveting and diverse history of women’s hair that reestablishes the cultural power of hairdressing in nineteenth-century America. In the nineteenth century, the complex cultural meaning of hair was not only significant, but it could also impact one’s place in society. After the Civil War, hairdressing was also a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity, Elizabeth Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the hair industry...