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Hart Crane
Provides insight into five of Hart Crane's most influential works along with a short biography of the poet.
Hart Crane
Malcolm Cowley Hart Crane's life was notoriously turbulent, persistently nonconformist, and tragically short. This new biography presents for the first time a full, frank portrait of the real Hart Crane, a poet attractive both for his flamboyance and passion for life, and for the magnificent sonorities of his work. 18 illustrations.
Hart Crane
"This volume studies the relation between globalization and inequalities in emerging societies by linking Area and Global Studies, aiming at a new theory of inequality beyond the nation state and beyond Eurocentrism"--
Hart Crane
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Hart Crane, a Re-introduction
Hart Crane was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. More than half a century after his death, the work of Hart Crane (1899–1932) remains central to our understanding of twentieth-century American poetry. During his short life, Crane's contemporaries had difficulty seeing past the "roaring boy" who drank too much and hurled typewriters from windows; in recent years, he has come to be seen as a kind of "last poet" whose only theme is self-destruction, and who himself exemplifies the breakdown of poetry in the modern...
Hart Crane
Harold Hart Crane was born in Ohio in 1899. In 1923 he became a copy-writer in New York. White Buildings, his first collection, appeared in 1926, and in 1930 his most famous work, The Bridge, was published. A reaction against the pessimism in T. S. Eliot's The Waste Land, The Bridge was a love song to the myth of America and its optimism a much needed boon to post-Wall Street Crash America. Hart Crane committed suicide in 1932.
