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And Here I Am
A bitter sweet, dark political comedy based on one man's true story and his odyssey in search for identity, And Here I Am is an epic voyage of identity and self-discovery based on Ahmed Tobasi's personal coming of age story. Combining fact and fantasy, tragedy and comedy, spanning both the first Palestinian intifada and the second, we follow the protagonist through his transformation from resistance fighter to artist, his journey as a refugee from the West Bank to Norway and then back again.
The Prophet
It’s January 28th 2011 and Egypt stands on the brink. For Layla and Hisham, a young couple living in downtown Cairo, a dictatorial and corrupt government is only one of their problems. As the world shifts, cataclysmically, around them, some long hidden secrets threaten to emerge and tear them apart. Based on extensive interviews in Cairo with revolutionaries and soldiers, journalists and cab drivers, this new drama depicts both a revolution in progress and the society from which it sprang.
Baghdad Wedding
'In Iraq, a wedding is not a wedding unless shots get fired. It's like in England where a wedding is not a wedding unless someone pukes or tries to fuck one of the bridesmaids. That's the way it goes.' From cosmopolitan London to the chaos of war-ravaged Baghdad, this is the comic tale of three friends, torn between two worlds, and a wedding that goes horribly wrong. Baghdad Wedding premiered at the Soho Theatre in June 2007 and was the winner of the George Devine, Meyer-Whitworth (2008) and Pearson (2009) awards.
The Special Relationship
True stories from the sharp edge of transatlantic deportation. In America, foreign nationals can be deported after serving prison sentences; some of them are British. Hassan Abdulrazzak interviewed ex-prisoners and experts in immigration and criminal law to get behind the political rhetoric, and to explore the extraordinary realities of people caught up in the quagmire of immigration detention and deportation. These are their verbatim stories of double punishment and separation, stuck in the transatlantic tango between Trump and May.
Iraq + 100
One of NPR's Best Books of 2017! A groundbreaking anthology of science fiction from Iraq that will challenge your perception of what it means to be “The Other” “History is a hostage, but it will bite through the gag you tie around its mouth, bite through and still be heard.”—Operation Daniel In a calm and serene world, one has the luxury of imagining what the future might look like. Now try to imagine that future when your way of life has been devastated by forces beyond your control. Iraq + 100 poses a question to Iraqi writers (those who still live in that nation, and those who have joined the worldwide diaspora): What might your home country look like in the year 2103, a century...
Love Bombs and Apples
A Palestinian actor learns there's more to English girls than pure sex appeal. A Pakistani-born terror suspect figures out what's wrong with his first novel. A British youth suspects all is not what it seems with his object of desire. A New Yorker asks his girlfriend for a sexual favour at the worst possible time. Love, Bombs & Apples is the comic tale of four men, each from different parts of the globe, all experiencing a moment of revelation.
We Are Iraqis
While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.
A Country of Refuge
A Country of Refuge is a poignant, thought-provoking and timely anthology of writing on asylum seekers from some of Britain and Ireland’s most influential voices. Compiled and edited by human rights activist and writer Lucy Popescu, this powerful collection of short fiction, memoir, poetry and essays explores what it really means to be a refugee: to flee from conflict, poverty and terror; to have to leave your home and family behind; and to undertake a perilous journey, only to arrive on less than welcoming shores. These writings are a testament to the strength of the human spirit. The contributors articulate simple truths about migration that will challenge the way we think about and act towards the dispossessed and those forced to seek a safe place to call home.
My Name Is . . .
When Gaby disappears from her Scottish home, it is assumed that her Pakistani father, Farhan, has kidnapped her. The spiralling headlines are only momentarily silenced when it emerges that Gaby may have fled of her own accord, choosing to spend her life in Pakistan. To the distress of her Scottish mother, Suzy, Gaby declares, “My name is Ghazala”, turning her back on "Gaby" and, seemingly, the West. This moving verbatim play reveals a cross-cultural love story that began in late-seventies Glasgow, a world away from the frantic "tug of love" well documented in the world's press. A captivating new play about love, family and ever-shifting identities, My Name Is . . . tells the story behind an event that fleetingly hit headlines in 2006 and continues to resonate throughout the UK and beyond. It was first produced by Tamasha at the Arcola Theatre, London, on 30 April 2014, before the production transferred to the Tron Theatre, Glasgow, on 29 May 2014.
