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Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright’s arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons’ quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons’ history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. “B...
Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright's arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons' quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons' history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. "Bill F. N...
This volume is a blend of language and literature papers highlighting linguistic functionality and topicality in poetry, novels, translation and education. It sheds light on the fictionalised reality of a strained official linguistic cohabitation in Cameroon as instantiated in present-day colonial legacy claims. It deals with issues of translation as a stylistic exercise whereby the translator has some creativity licence when rendering the source text into the target language, thus embracing Skopos theory’s view of translation as a purposeful activity determined by the target text and audience. This book also looks at an educational conception of translation as opposed to a professional tr...
For millennia, literature across the globe has captured the essence of life, survival, and human relationships – how we come together and how we fall apart. These stories, born from diverse cultures and perspectives, transcend time and space to resonate with audiences far beyond their origins. Literature, a tapestry woven from many threads of logic, teaches us to embrace complexity and reject simplistic thinking. “Centres and Peripheries in Literature...” invites us to question why some works become classics while others fade into obscurity. In an age striving to define “world literature,” this book is especially relevant, examining the forces that shape literary canons and the int...
This book is an interdisciplinary theological exploration of Haile Gerima's cinema, an Ethiopian filmmaker and storyteller who successfully translated African folkloric orality and wove other indigenous art forms into the language of cinema. Gerima's five decades legacy of Pan-African cinema embodies 'symbolic resistance' against Afro-pessimistic and stereotypical mis/disrepresentations, both manifestations of neo-colonialism. In response, he uses "camera as a weapon" to resist exotic otherness and alienation invented by conventional cinema. Through an alternative moving pictures, he depicted dignified images of Africa towards decolonising cinema and liberating the mind. His memory-films ach...
This book is a timely addition to debates and explorations on the epistemological relevance of African proverbs, especially with growing calls for the decolonisation of African curricula. The editors and contributors have chosen to reflect on the diverse ways of being and becoming African as a permanent work in progress by drawing inspiration from Chinua Achebe's harnessing of the effectualness of oratory, especially his use of proverbs in his works. The book recognises and celebrates the fact that Achebe's proverbial Igbo imaginations of being and becoming African are compelling because they are instructive about the lives, stories, struggles and aspirations of the rainbow of people that ma...
Whose knowledge counts? Why delve deep to understand self, history and intercontinental relations? How do people and communities heal from the wounds of colonization and related trauma passed from generation to generation? Such intractable questions are explored in this collection of essays on decolonization. To decolonize means to humxnize, which is of even greater urgency in the 21 st century with colonization showing itself in new forms. Perspectives from several continents suggest pathways toward more convivial and equitable relations in society, and each chapter is presented in conversation with an illustration. The book will inspire young leaders, educators, activists, policymakers, re...
Bringing together 16 articles by renowned scholars from around the globe, this volume offers a multi-dimensional view of comparative and world literature. Drawing on the scope of these scholars’ collective intellects and insights, it connects disparate research contexts to illuminate the multi-dimensional views of related areas as we step into the third decade of the 21st century. The book will be of particular interest to scholars working in comparative literary and cultural studies, and to readers interested in the future of literary studies in a cross-culturized world.
Breach draws from the wisdom of Africa and the African human experience to urge reconsideration of conventional notions of a home as sheltered assurance of belonging. Instead, it embraces the notion of not having a home and therefore not belonging, where this would mean revelling in liquidness, incompleteness, boundlessness – liberating potential. “During the waning days of Britain’s rule in India, its last viceroy, Lord Louis Mountbatten, turned to Mahatma Gandhi and said in exasperation, ‘If we just leave, there will be chaos’ and Gandhi calmly replied, ‘Yes, but it will be our chaos.’ Dewoo’s collection of poems resonates with the Gandhian necessity for each society to continuously breach identity formation and performance in its own self-engendered chaotized order/other; to undauntingly breach zero-sum regimes of home(lessness), power(lessness), and (im)mobility.” Hassan Mbiydzenyuy Yosimbom, Interdisciplinary Literature Scholar
Africa is rich in (neo) traditional dances; yet, not much exists in the form of written literature on the subject. Even worse, existing documents date back to the colonial period and are often disparaging. Dance to Africans is what martial arts are to Asians. Embedded in them are some of the solutions to many of the problems wracking the African diaspora: gang violence, drug addiction, and high school dropout rates, etc. When Guinea's Ballets Africains first bursts on the international scene in the late fifties and sixties, the black revolution in the US was in full swing. The troupe's emancipatory message enkindled in African Americans a new sense of cultural pride and a return to their Afr...