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Self-Portrait As Bettie Page
"If 'nuns fret not at their convent's narrow rooms / and hermits are contented with their cells, ' imagine the fun to be had in lacing pin-up icon Bettie Page into this 'scanty plot' of poetic corset, the sonnet. Rarely are form and content so well suited as in Heidi Czerwiec's wittily kinky peek-a-boo of a collection, almost-but-not-quite bursting at its seams with author/persona conflation/confusion, wide-ranging allusions, and wonderful word-play. Full of 'levity' and 'heft, ' the poems 'capture...in meter's narrow aperture' not only the biography/mythology of Bettie Page, but also a strong sense of an authorial coming to terms with her own formal ars poetica. Indeed, 'it's hard outside constraints that you construct, ' but it's easy as cheesecake to appreciate these poems, on the cutting edge of contemporary work that is keeping the seemingly ancient form of the sonnet smart, sexy, and ever so relevant." Moira Egan
Crafting the Lyric Essay
The first craft guide to the lyric essay form, this book combines hybrid craft essays that embody the key elements discussed, with more traditional craft essays that review relevant lyric theory, craft and history. An orientation to a form that is critical and creative, practical and accessible, Heidi Czerwiec centers the lyric essay on the lyre, on lyric mode, focusing on the resonances of sound, silence and image at the level of language. With topics including sound effects, imagery development, lateral movement, white space, fragmentation, using poetic craft and forms, and pedagogy, this book connects the dots between lyric theory and practice, offering the beginnings of a critical framework for a form that has been vastly undertheorized until now. An essential guide to this exciting and popular hybrid form, Crafting the Lyric Essay will invigorate the study and writing of creative non-fiction.
Conjoining
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Fluid States
A collection of lyric essays that considers the way subjects, stories, facts, and memories are as interconnected as streams in a watershed, Heidi Czerwiec’s Fluid States explores the interlocking issues created by the oilfields of North Dakota; the ephemerality of perfume, canning tomatoes, a fungus that infects and transforms mushrooms; and being the focus of internet hate. Short essays that present delightfully surprising facts with elegant and lyric language, her pieces all share underlying currents that question assumptions about gender, violence, reason, and intuition.
Voice First
Voice First offers writers and teachers of writing an opportunity not only to engage their voices but to understand and experience how developing their range of voices strengthens their writing.
A Harp in the Stars
Randon Billings Noble has collected a range of lyric essays in a variety of forms that showcase the essay’s openness to experimentation, reliance on authentic voice, and potential to explore complex subject matter.
North Dakota is Everywhere
The poems in this book ache for home. They ache to be at home. In reflecting those who ache in this great expanse, these poems are about what connects us together as humans, poems that sing to each other across lines and pages and space, demonstrating that, as poet Thomas McGrath asserts in his Letter to an Imaginary Friend, North Dakota is everywhere.
Cleave
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Crafting the Lyric Essay
The first craft guide to the lyric essay form, this book combines hybrid craft essays that embody the key elements discussed, with more traditional craft essays that review relevant lyric theory, craft and history. An orientation to a form that is critical and creative, practical and accessible, Heidi Czerwiec centers the lyric essay on the lyre, on lyric mode, focusing on the resonances of sound, silence and image at the level of language. With topics including sound effects, imagery development, lateral movement, white space, fragmentation, using poetic craft and forms, and pedagogy, this book connects the dots between lyric theory and practice, offering the beginnings of a critical framework for a form that has been vastly undertheorized until now. An essential guide to this exciting and popular hybrid form, Crafting the Lyric Essay will invigorate the study and writing of creative non-fiction.
A Harp in the Stars
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities—to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds up to more than the sum of its parts. In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form.
