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Santee Songs
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City of the Silent
Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Takin...
The Magnificent Squeak
Tommy's wheelbarrow makes the merriest squeak, a squeak everyone likes to hear. Find out what happens on the day Tommy's gets out on the wrong side of the bed!
Sullivan's Island
"The Island is a very singular one. It consists of little else than the sea sand and is about three miles long. Its breadth at no point exceeds a quarter of a mile." Edgar Allan Poe's terse description, from his story The Gold Bug, is essentially as true today as when it was written. Others, before and after Poe, have been captivated by "the Island." For a long time, Sullivan's Island was the only Charleston-area beach resort, and its importance in the nation's history gave it a special significance. From the Battle of Fort Sullivan (now Fort Moultrie) came the inspiration for the state flag and for the arms of the Great Seal of State. The unique architectural heritage of Sullivan's Island evolved out of this historical background. A visiting New York architect in the 1970s said, "This Island has the greatest assortment of styles and periods of architecture ever put together in one small area." However, an 1872 observer more accurately called the style of architecture "multifarious." He noted, "Everybody who builds follows his own ideas-in most cases comfort is consulted-and the resort is a varied collection of cottages and summer villas of every conceivable description."
Mr. Skylark
Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected ...
A Golden Haze of Memory
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the a...
Congressional Record
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
A Bluestocking in Charleston
In early 20th-century Charleston, Laura Bragg was called a woman ahead of her time, a fresh drink of water in a cultural desert, but never a proper Southern lady. This biography tells the story of the woman who changed the cultural face of Charleston and the nation's approach to museum education.
